Jump to content

Search the Community

Showing results for tags 'day for nighttiffen'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 1 result

  1. Hello fellow Cinematographers. I can't find a solution to a problem related to a shoot I'll DP next week. I'll have to shoot a scene in the woods that in the story is supposed to be at night/dusk but I'll have no chance to shoot it during the actual night. I went to the location for a scout and tried to do some tests with an 80A filter (I know is not the right filter to use but it was the only option I had during the scout) to see if shooting at a certain time of the day avoiding direct sunlight would have got close to what I'm looking for. I've combined the 80A with a ultracon and the effect is not that bad, the only problem is that the green of the woods comes back a lot in certain portions of the frame and I don't want the frame to be completely washed in blue, making the actors's faces look unnatural. I've made some research and I saw that Tiffen has a cool day for nightfilter. Any experience with that? do you have any rough idea of how many stops is gonna cut (I know I have to underexpose for the day for night and I don't wanna end up loosing too many details and increase the noise ) ? and do you think is gonna wash everything too much in blue? Does using some kinos or other units help me bring back some color on the skintones? I was also thinking of using some ND grad and a hazer combined with the filter, but this is my first time shooting day for night and I'm really confused. I really wanna avoid a the cheap day for night look. Thank you so much!
×
×
  • Create New...