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Showing results for tags 'focus pulling'.
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Sniper Package $6000 MK3 Laser & Display paired and with newest firmware Smoke Iris 17 Degree Lens 5 Degree Lens Optical Flat P&T Bracket Noga Arm 5 Batteries 2 Chargers Power Cables 1 P-tap to 2 pin coiled 1 3-pin to 2-pin coiled 1 straight 3-pin to straight 2-pin 36” 1 straight 3-pin to 90 degree 2-pin 36” Preston MDR interface cables 1 short 90 degree to straight 16” 1 long 90 degree to straight 36” 1 long 90 degree to 90 degree 36” 1 Display Cable 36” Manual
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My name is Jack Lam, and I am a working cinematographer. In my blog site, I wrote an open letter to Panasonic titled: Long-overdue Innovations in Manual Focus Will Make LUMIX-S a Winner for Professional Cinematographers The article can be viewed here: http://www.jack-lam.com/blog-post-1.html We have not seen much fundamental progress in the tools for professional focus control since the rise of DSLR cinematography, and it is an area that is badly in need for some innovations. I think the launch of LUMIX S is a great opportunity for Panasonic to do that. In the article, I explai -
I'm focus pulling on a short film this week. We are shooting on the Alexa Mini with 2x Kowa Anamorphic lenses. I've worked with anamorphic on a fair few jobs in the past, however I haven't always had the luxury of a prep day. On this short film I have an evening of prep before principle photography begins. I was wondering if I could get some advice on the kind of things I should prep/look out for when shooting on vintage anamorphics? I'll do the obvious and check the accuracy of focal distances to start with. As far as i'm aware each lens will cast a slightly different colour tint onto the
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Yesterday I came across a focus pulller operator workshop class which will be held here in Italy, starting next February. The class will have a duration of two (2) weekends, so I guess about 8 hours per day for two consecutive week ends, 4 days totally. I haven't had access to the detailed schedule yet but I assume, comparing to similar Labs they provide, that it won't be two full days: so may be the first day (say on saturday) you will get 8 hours and the second one maybe something less. It will be pretty much intense anyway, I guess. Now, I don't want to attach a link to this sch -
Hello! I am seeking advice on how to best prepare for an upcoming shoot where I'll be focus pulling with the ARRI Master Anamorphic Lenses (35mm, 50mm & 75mm). This is my first time focus pulling with these lenses, and anamorphic lenses all together and I want to make sure I am fully prepared to do my job right. I am still relatively new to focus pulling (less than 2 years experience) and would greatly appreciate some advice to help me through this shoot. I have been reading the forums about anamorphic lenses but I have yet to find specific info on the Master Anamorphics. My questions
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I've just been given a great opportunity to be 1st AC on my first film project. I don't know much about it yet but it is a two day shoot on an SR3. I have worked on a film shoot as a 2nd twice before, once as a clapper-loader and once as a trainee, other than that all my projects have been digital. I’ve got just under 2 weeks to get myself ready and I’m trying to take as much on board as possible. First, what are the main things that need to be covered when prepping for a film shoot? I’m particularly concerned about the accuracy of lens markings given this will be absolutely critical witho
