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Found 5 results

  1. Today In class, my teacher told me that Rivas splicer was hollywood standard. Is this true? I swear I always heard Guillotine splicer was industry standard. Is this just a preference thing? I'm curious Thanks!
  2. I am making a low-budget short film in July, where the actor punches through the passenger window while another character sits in the passenger seat. They'll be multiple takes, so I want at least 10 breakaway windows. I've tested sugar glass, but it's tinted yellow. I've thought of using food coloring to try and dilute the yellow, but in case that doesn't work, I want other options. SMASH! Plastic (from smooth-on.com) looks realistic & clear. But don't want to pay $200+ for it. Is there some way I could make this plastic concoction on my own? Or another method to make smooth & clear glass under $100 for 10 windows?
  3. Hi Friends, I am professional photographer working from last 3 years and living in India. I have started doing DSLR videos a year back like events, short films, wedding films music videos & behind the scenes. I am really interested in pursuing a one/two year course in cinematography. Any1 had been to film schools for cinematography In Los Angeles.How was the experience ? Is it worth going there? I am really interested in shooting travel work. As an international student how are work opportunities in Hollywood? After graduating how long can we work there? Currently I have applied for FAMU and gonna apply for NFTS as well. I have already heard about USC CHAPMAN AND UCLA but the duration is 3 years. Need advice
  4. I'm 16 years old... Yes somewhat young but I have lots of inspiration and I'd say I'm fairly talented with multi-media. I've been learning after effects for over a year now, using it to edit Call of Duty gameplay which particularly involves VFX, Motion tracking, editing techniques(art), cinematic, time-remapping and editing of-course. It is actually very impressive how the Call of Duty editing community has mastered after effects with call of duty footage. Any of you should absolutely take the time to check out some very talented editors; if you're interested i'll refer you to some of them! It is a whole new level of editing and I'm grateful to have started with something without having to use IRL footage from a camera. I could now apply myself to IRL footage and such. I truly want to master a position in the film industry. I'm so inspired by some films and the art of cinematography mixed with editing.. Whether it's an editor, cinematographer, camera-man, or even the whole package. Whether it's to my own profit, a big company, a festival.. I want to learn all about cameras and technique just like I did for editing. Question #1: I'd like to know about what sort of education and/or diploma is needed to get a job at a big company or a big film project.. Those camera men/cinematographers who reach Hollywood; what got them there? Was it recognition and connections or was it schooling/diplomas etc. ? A few examples of cinematographers/camera men ? Question #2: What camera aspects should I look into? (I'm new to the whole thing) I have done some research on the Panasonic Lumix GH3 and came to mind that there are so many features and aspects to reconsider before I buy a camera, a film maker uses that camera and there's a very nice outcome (a slight panoramic, film looking, well toned).. References to some books, youtubers or links would be great. That's it for now... I hope I'm not asking for too much, I guess I could tell I'm pretty passionate about this lol. Thanks ! John from MTL, QC
  5. http://www.hollywoodreporter.com/news/steven-spielberg-predicts-implosion-film-567604 Spielberg said. "That's the big danger, and there's eventually going to be an implosion or a big meltdown. There's going to be an implosion where three or four or maybe even a half-dozen megabudget movies are going to go crashing into the ground, and that's going to change the paradigm."
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