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Found 7 results

  1. Meet the Gaffer's Luke Seerveld compares the diffused light quality and output from the ARRI M18, K5600 Joker 800 and a couple of Aputure 600d Pro's using 1/2-grid diffusion through a frame and an Octabank. Don't forget to show some love in the YouTube comments.
  2. Hello, I'm comparing 3 HMI fixtures that will get me the most light output on a 16a 230v (French) circuit. Here, in France we are able to get between 2500w to 3000w on a single breaker, depending on the houselhold config and its age. So, all three fixtures: the Arri M18, D25 and AS25 (Arrisun 4k bulbed at 2.5kW) have their own qualities and functions (facetted reflector, fresnel and par lenses) and I'm not here to compare their uses as it depends on the project. I haven't had any time getting all three on the same set to compare - but I've had multiple lamp ops tell me - and some info the web - about the similar light output all three fixtures will get you. I know the M18 is quite efficient and will stand quite close the the D25 - which loses quite a bit with its fresnel - but how about the AS25 with a narrow lens? I have looked at Arri's photometric calculator - but it doesn't seem to always be that accurate to my configs and output on set, beyond the lamp efficiency and age. Let me know if you have any thoughts, ideas or knowledge to share - don't hesitate. Cheers, - Jules.
  3. Light Modifiers Rental "Your friendly Midwestern lighting guys" Address: 2414 West Cullerton Chicago, IL 60608 Email: bookings@lightmodrents.com Phone: 773-940-2654 Website: https://www.lightmodrents.com Description: Light Modifiers has been proudly serving Chicagoland and the Midwest for over 6 years, providing exceptional film and television lighting services with friendly union and non-union professionals. With the business growing just as fast as the Chicago Film Industry, Light Modifiers wanted to help serve our clientele by expanding to a full blown rental house. In 2018, Light Modifiers Rental was born to best support the great filmmakers of the Midwest. Today, Light Modifiers Rental isn't just a rental house nor a lighting company, but a valuable resource for media and entertainment production.
  4. I read online that you can ONLY use HMI lights with inverter generators. Question 1: What would happen if I tried to power an M18 with a generator that was not inverter? It's just a regular gas genny. Would that damage the light or ballast? Would it just not work? Questions 2: I have a Ryobi 1800w running watt, 2300 starting watt generator seen here: I'm told that hmi's require a higher wattage when striking. Would I be able to strike an m18 with this Ryobi generator? Is 2300 enough to strike it? What's the wattage required to strike? Question 3: If I tried to strike the m18 on that ryobi genny and it was not enough power, what would happen? Would the light just not turn on? Is there any risk of damaging the light when you try to strike it and there is not sufficient power?
  5. Hi again everyone. Not really a question this time but would wanted to show my lighting plan for an upcoming project to get some feedback. I have attached my lighting plan... The talent will be talking to camera and cooking. The background will be dressed with Christmas decorations and what not to celebrate the coming season. I want the lighting to be very soft and cold, to have that winter feel. I'm shooting it all in daytime. I'm using an M18 through the left window (only window our too the left) through a bed sheet which will highlight the background and rim our talent. The other M18 is inside in front of the talent which will be my key for her. I plan to bounce it and have the light come through another bedsheet to get it softer. For the fill, I will bounce it in from my M18 sources. I guess actually I do have a proper question. Would you recommend an Arri Skypanel S30C through multiple diffusion instead of the M18 inside? The kitchen is very small so I did think at one point maybe I should go for that instead. The shoot will start early and end before sunset. Anyways any feedback would be appreciated. Thanks so much!
  6. Is there way for someone like me to start using a generator so that I might power an M40 or an Arrisun 60? I love the M18 because I allows me to work with a decent amount of light on a very small budget. I've been shooting commercial projects on a thin budget by running with one M18, a few fluorescent fixtures a great deal of light modifiers. In the states, I believe an M18 is about the most powerful light you can run off a house or office circuit. (If there are more powerful options, I'd love to use them) Is the answer as simple as renting or buying a 6500 watt portable generator or is there more to it?
  7. Hey everyone, So for this low budget commercial I'm shooting, I'd really love to have a stronger light at a distance to get a "shafts of light through window" gag with haze. It's just not in our budget so I'm trying to find the best way to get a large parallel beam into a small space (the room is only 15'x19') and I feel like the M18 could be a way to do this. I'd also consider using a Joker Leko setup but I'm just afraid it won't produce as large or powerful of a beam as the M18. Arri describes the M18 as having the best aspects of a par and fresnel - personally I love this light and I've been able to produce some venetian blind gags in small spaces with it before. I know an ordinary par wouldn't work at such a close distance. My question is, do you think the beam of the M18 is parallel enough to make a gag like this? Thank you, Chris
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