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Found 8 results

  1. Hi there, I believe that this is probably something that has been discussed before. But I hope there are some new things that can be brought up with this question. I have an upcoming project in the fall, and the director and I have decided that we want to have the anamorphic look for a short we will be making. Now the flares are not the most important thing, but rather the vast image that we are going for. The problem is how to achieve it. First idea would be to use my own S16 Eclair ACL, with an PL adapter, and we were considering renting pure 1.33x anamorphics. But as far as I know, the o
  2. I know this is probably not the right time to sell this but since I sold my Eclair this have been collecting dust. She looks a bit worn, and front element has a little nick, but last footage I saw from this still looked great. This is a R16 lens. Also included is an adapter from RAF camera to use screw in 77mm filter. (I had an anamorphic adapter on the front element before) I looked online and tried to figure out the average price and saw a lot of different prices. So it’s $450 OBO really. Buyer pays shipping.
  3. Hello All, I have a Beaulieu R16 with 12-120mm Angenieux lens that I've recently started using. It's been great so far, but I'm having quite a bit of trouble trying to stabilise the camera/image. It's fine, or rather, the camera shake is not particularly noticeable on handheld shots and pans, but for stationary shots I'm getting a lot of camera shake. I'm using a pretty heavy duty Vinten video tripod with floor spreaders, so this I thought would be good enough to stabilise the camera itself, but there's still a really noticeable (to the point of distraction) amount of camera shake.
  4. My Beaulieu R16 runs fine on external power. I just bought a newly-recelled 1,000 mA grip battery. It won't run on the grip battery. Checking the battery on the meter on the side of the R16, the needle only deflects half-way. I tested the battery with a multimeter. The outer ring shows about 8 volts, and the inner ring shows about 4 volts. Since the camera's meter shows half power, and one ring of the battery shows half power, I suspected that one of the wires in the Power Grip is bad. I switched to 'resistance' on the multimeter. Looking at the plug that plugs into the camera bod
  5. I dug out the R16 to play with it a little bit, and the automatic aperture motor is a bit noisy. It sounds like its bearing is bad/going bad, or it needs lubrication or something. Is this something I could service myself? Probably not, eh? Who services R16s in the U.S. nowadays?
  6. So I was thinking about getting a Beaulieu R16. Looks to be a fun camera, and they can all fit a magazine on top. However, I've been told that they can only hold 200 foot daylight spools, which I haven't seen for sale on line. So here are my questions. If I had empty 200 foot spools, could I halve a 400 foot reel from a core in a darkroom? Well, I know it's possible but my concern is knowing when I've reached the 200 foot mark. How would I measure that in a darkroom? The other question is probably more of a camera question, but if I wanted to for whatever reason could I use a 100 foo
  7. I have some questions regarding the following: I have just acquired Final Cut Pro X ( I am aware that most professionals hate this new version but it is what I have..), Adobe After Effects, and Photoshop. I shoot Regular 16mm and Super8mm. My normal procedure upon unloading my film from the camera is to take it to my local processing place - PacLab over on 2nd Ave ( N.Y.C ) then when these great folks call me I then take my film over to Greenpoint, Brooklyn (actually I get off on Vernon Jackson stop on the 7 line in Queens and walk over the Kosciszko Bridge, so it kinda of feels like Queen
  8. Beaulieu R16 Angenieux 12-120mm lens, custom battery pack and 200ft reel ebay auction ends on sunday: http://www.ebay.co.u...984.m1555.l2649
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