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Found 7 results

  1. Hello - in early September I will be filming an all-night fight sequence between 2 characters, where the scene takes place under a rain rig (most likely, two small rain towers). We are going for a handheld look - not too shaky but just to give it a little energy. Typically, I would use an Easyrig for this but I'm not sure the best way to rig my camera well for operation under these circumstances to keep the camera safe and lens clean. I suppose I could just bag the camera and put a hole for the Easyrig cable to come through, and cinch it well with rubber bands around the cable, but I'm worried about water coming through. Thankfully, I will have a focus puller doing their thing wirelessly so I won't have to worry about that. If anyone has any tips for this kind of situation, I would greatly appreciate your input!
  2. I think I asked someone about this here but I can't find a trace of it. Basically, I'm going to have a big scene in a film involving rain at night in like a residential street. I've tried to find as much as I could about it but I figured I'd ask here and might gleam some good advice from folks who have experience with that. I plan to shoot the whole film very wide, long shots, few cuts. Which I guess will be a plus since there will be no use of any cranes, it'll be a lot of dolly work. So I don't plan to frame the action above a certain height, let's say a little above the height of a pick up truck. This means we probably won't need super high water towers. Now, what should I absolutely know or be aware of before shooting a scene like this?
  3. Hey all, DPing an independent short come December 9th-11th. There is a small Interior Night scene on location, where I would like to simulate stormy weather outside. I would like to do something like water in front of a fixture, but how can I achieve this? We will likely be using something like an Arri 1K with Urban Vapor gel outside the window to simulate a street light. Won't be shooting towards the window, so the rain effect will just need to be a texture. Also, would like to simulate thunder, in combination with the street lights. We'll have a couple of SPE-6 Flickermasters. How can this be achieved? Thanks ahead of time!
  4. I'd like to know your thoughts on rain coats for cameras. Do most of you keep some sort of rain cover in your kit? Do you find yourself shooting exteriors in the rain often or is it a rare thing? What do you think is important to look for in a rain cover? Thank you.
  5. I'm shooting a night time scene with 2 characters talking inside a car. The car is parked, the windows are wet from a recent rain (but it's not raining anymore). I'm looking for tips and advices for enhancing the water drops. Here is a screen grab from tests I've shot on a 5D a couple of days ago in a studio (we're gonna shoot on location for the actual shoot, with a RED One) with the kind of lighting atmosphere I'm planning to do. No one was really in charge of the rain drops for this test, so we just splashed water on the window before shooting. My first question is about the best solution for spraying water on the windows. I was actually thinking of using a water sprayer filled with a mix of water and glycerine (like we usually use for sweat on faces). Any other idea or advices for the best mix to put in the tank ? My second question is about lighting those drops. I know that you don't actually light raindrops as they are transparent, you just need them to register an image as they act like a lens. I don't want to have a very lit background (probably a bit darker than the test shot) to keep the drops brighter than the background itself. My idea was to shine light on a large muslim sheet (or a kino 1 bank) placed low behind the car, so it doesn't affect my lighting and contrast inside the car and create a white line on the top of the drops so they exist on this dark background. I guess they will probably also register the lights I use for lighting the characters. Am I on the right track ? I'd love to also add some colour bokeh with a small fixture far away in the background. What kind of source would you use for that ? The director wants to place the car close from a (white :blink: ) house wall, I'm pushing to place it further so we have more depth in the back and we can isolate the 2 characters in the image. Any advice or comment on my ideas are more than welcome ;) Thanks
  6. Camera Essentials is having a closeout sale on our film camera raincovers - the prices are awesome. Please call or email Patti at (626) 844-3722 or cameraessentials@gmail.com for more info or pix. Camera Essentials Weather Protectors: Film Camera’s (#1068) Arri 235 200’ magazine $75.00 (#1070) Arri 235 400’ magazine $78.00 (#1072) Arri 416 $125.00 (#1057) Arri 435 (1000’ zoom) $179.00 (#2249) Arricam LT (1000’ prime) $189.00 (#2244) Arricam ST prime $199.00 (#2245) Arricam ST zoom $199.00 Clear vinyl raincovers: (#z1013) Arri 35-3 1000’ prime $49.00 (#z1015) Arri 435 1000’ prime $55.00 (#z1016) Arri 435 1000’ zoom $55.00 (#z1021) Arri 535 Handheld $55.00 (#z2238) Sony F900 $55.00 (#z1023) Moviecam SL 1000’ zoom $55.00
  7. Hello everybody, I'm new in this forum :-) I'm organising the making of a short film and, for a scene inside a lorry, I need it to look like it's raining outside. Browsing the web I've bumped into this topic, which I found really interesting. I've read that a possible solution (when you don't have a water source) is to use a watering can and connect one or two garden hoses with sprinkler rings. I though that then I could spray the water from the trailer over the front of the truck... the wind should then do the rest.... but apparently watering cans don't work that well, because they rely on gravity. Does anyone have any experience with this, or have any other suggestions? Thanks PS. The lorry would actually go downhill for the whole scene and the rain would have to last for about one minute.
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