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Found 3 results

  1. Hi, new to the forum, and so far it's been a really great learning experience. Anyway, I was wondering how any of you might go about getting a similar quality of light from this shot in Grand Budapest Hotel on a budget? The project I'm working on mostly takes place in the kitchen of which I've included pictures below: I'm pretty young and I usually just reserve myself to writing and directing, but I thought it might be a good experience to try to DP one of my projects. However I could use a little guidance as this is all rather new to me still, but I did have a few initial ideas. I plan on putting up white curtains as the view outside is rather un-cinematic, and because I feel like it will add to the main character's feelings of being trapped. I don't have much of a budget, the brightest lights I could rent are probably a couple of 1K tungsten lights. However, I plan on using my 5D mark III with ML Raw, so I can go up to 1250-1600 and get a pretty clean image, and I tend to like to shoot between an f.2 - f.4. My nearby rental place does have a set of 2 x 1K Arri's and an Arri 650w open face that are decently priced for the week. I could possibly try and rent a few other smaller tungsten lights as well. I was thinking about possibly going and blocking out the sun with some black cloth draped over some C-stands on the deck and then setting up one of the 1K's in front of it to light up the white curtains acting as the sunlight. My thinking to do this is so I can keep color temp consistent, and so we don't have to worry about clouds coming in and out all day. It would also help keep consistency as Minnesota weather can be rather unpredictable, and it will be a 2-3 day shoot. From there I was thinking of using the second 1K as my key for the subjects as most of the dialogue happens in singles, probably bouncing it off of maybe some muslin or setting up a cheap book light scenario. Then finally using the 650w either for fill or for bouncing off the ceiling to raise ambient light levels. Anyway, I know that was a lot of information, but I was just wondering what any of you might do to get a similar look on the cheap all while trying to keep it consistent over a couple of shoot days. That was my initial idea, but I'm still not sure if that would even work as I've only been studying this stuff for the last couple months. Looking forward to hearing any and all ideas!
  2. (LOS ANGELES, CA) - Cinematographer Robert Yeoman, ASC will headline the annual Kodak Focus program at this year's Los Angeles Film Festival. The intimate conversation will spotlight Yeoman's artistic and technical accomplishments by screening scenes from 35mm prints of Moonrise Kingdom, Drugstore Cowboy and The Royal Tenenbaums. The Kodak Focus takes place on June 16 at 1:10 p.m. at the Regal Cinemas at L.A. Live. The seminar is free with a festival ticket. Yeoman won an Independent Spirit Award for his memorable cinematography on Gus Van Sant's Drugstore Cowboy, and was also nominated for Wes Anderson's Moonrise Kingdom. Yeoman has photographed all of Anderson's live-action features, including Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic With Steve Zissou, The Darjeeling Limited and Moonrise Kingdom. Yeoman also photographed Wes Craven's Red Eye, Roman Coppola's CQ, Noah Baumbach's The Squid and the Whale, Drew Barrymore's Whip It, Paul Feig's Bridesmaids, and the soon-to-be released The Heat. The LAFF festival, which runs June 13-23, celebrates independent and international cinema. This year's festival in downtown Los Angeles will screen a diverse slate of nearly 200 feature films, shorts and music videos, representing more than 40 countries, along with such signature programs as the Filmmaker Retreat, poolside chats, master classes and more. There will also be a number of free community screenings. Kodak's Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm). For more information on LAFF, visit www.lafilmfest.com. # # #
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