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Found 1 result

  1. Hello, all. Tommy at Video & Film Solutions transferred the 35mm blowup of my first short film (and Tommy is a great guy who does great work) and as expected, it has some spots. Long story, but in the blowup process all 2,300 or so frames have 3 to 5 specs. They are in fixed locations so normal DNR cannot be used.And yes, they are crazy distracting. You might wonder why I didn't transfer from a 16mm print. Well, I don't have one. To save our budget we had a 35mm blowup made directly from the negative. I have the 16mm negs in A B C rolls and transferrinf them means much more money (more than double). Not in the budget. Next time though. I just wanted to get this thing transferred since all I have had for years is a crappy VHS from Avid. :angry: Anyway, I have watched a few tutorials and read some articles. No two methods are alike, that's for sure. And I gotta say, it looks a little out of my league. But I'll give it a shot and would love to hear from the experts on my best shot. I am on a PC, a pretty darned good one and I run Adobe CS5 Production Premium. I do not have the money to upgrade or buy new software. I need to work with what I have or what's free. But I imagine I could do a free trial of CS6 since I see some are using Premiere pro and Photoshop's clone brush/tool. I wonder if installing it and then removing it will mess up my CS5 install??? I'll be patient with this. I know there is no overnight fix and that it will take work, but advice is welcome. This tutorial looks outdated and possibly inadequate for what I need. https://vimeo.com/24850536 A newer way, requiring CS6. http://www.premiumbe...ects-photoshop/ Here is what I am dealing with. (please note... These are not frame exports. I just hit print-screen with the file in QT and then pasted them into Paint Shop Pro, so do not judge telecine from these examples.)
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