Jump to content

Search the Community

Showing results for tags 'stocks'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • Cine Marketplace
    • Cameras Systems and Formats
    • Lighting for Film & Video
    • Camera Operating & Gear
    • Camera Assistant / DIT & Gear
    • Grip & Rigging
    • Visual Effects Cinematography
    • Post Production
    • Students, New Filmmakers, Film Schools and Programs
    • Lenses & Lens Accessories
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • Directors and Directing
    • In Production / Behind the Scenes
    • On Screen / Reviews & Observations
    • Business Practices & Producing
    • Camera & Lighting Equipment Resources
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Cinematography News
    • Sound
    • Off Topic
    • Accessories (Deprecated SubForum)
    • Regional Cinematography Groups

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Occupation


Location


My Gear


Specialties

Found 3 results

  1. I decided to check out the history of film stocks and their different formats, and I realized that there are no actual full-frame movie stocks that were ever developed or used for cinema back in those days. Full-frame as we cinema people interpret it today, from what I understand, came from digital manufacturers making sensors based on the 135mm film stock dimensions made for Photography: -Which are ~35mm wide in its negative and ~24mm tall negative(which is approximately the actual width of negatives on Super35mm film stocks, so basically it's like someone rotated Super35mm stocks 90 degrees) -Pulled along horizontally rather than vertically, which is actually what allows the ~35mm width negative Unless I'm missing something, why was there no Full-Frame( not the full-gate 35mm but the actual negative 36 x 24) ever used? It was quite surprising to see that cinema film stock developers decided to just jump straight into Medium Format from Super35. The only thing that might come close to it is VistaVision, but I'm not 100% sure if that actually qualifies as full frame . Thanks
  2. Is there somewhere that I can find perhaps a table which would give me which still-photography stocks correspond,closely resemble, or are equivalent to certain film stocks used for motion pictures? Or perhaps you could tell me some well-documented facts or your impressions. :)
  3. Hi everyone, I am preparing a feature film and we want to shoot black and white. Do you know guy which stocks are available in B&W except the ones made by Kodak? I'm looking for a sharp and not very grainy stock. I asked Ilford what they could do and they can offer FP4 and Pan F in 30.5m only (about 90 feet). I'm not a great fan of B&W shot in color, I generally didn't like things I've seen and tested made that way and never found the texture of true black and white. I also have to ask to Rollei/Agfa what they can do. In photography I use the Rollei retro 80s a lot and it's pretty close to the look I want. I guess something close to T-Max or Ilford Delta 100 would be a good start for tests too. Do you guys have any idea where I could search (preferably in Europe)? Anyone has experience with Adox? Thanks a lot, Anthony
×
×
  • Create New...