Chris Burke Posted January 24, 2006 Share Posted January 24, 2006 Just saw it last night and I was wondering, was it an optical blow up or DI? I really liked the film and the look of it. Super 16, yeah! chris :D Link to comment Share on other sites More sharing options...
Jornenzal Posted March 27, 2006 Share Posted March 27, 2006 Just saw it last night and I was wondering, was it an optical blow up or DI? I really liked the film and the look of it. Super 16, yeah!chris :D Chris - Hi. I watched TSATW last night and felt exactly the same way. Really crisp, colorful images... According the imdb, the movie was shot in 16mm, although I think they probably mean Super 16: http://www.imdb.com/title/tt0367089/technical -Kieran Link to comment Share on other sites More sharing options...
digistar Posted June 6, 2006 Share Posted June 6, 2006 (edited) Somebody must know more about this movie (1) post..... Edited June 6, 2006 by digistar Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted June 6, 2006 Premium Member Share Posted June 6, 2006 It was covered in both the Nov. 2005 issue of "American Cinematographer" and the Oct. 2005 issue of "ICG Magazine" (and for all I know, maybe the Kodak newsletter as well...) -- come on, don't tell me you guys don't even subscribe to the any magazines about cinematography! Link to comment Share on other sites More sharing options...
Hunter Sandison Posted June 6, 2006 Share Posted June 6, 2006 It was covered in both the Nov. 2005 issue of "American Cinematographer" and the Oct. 2005 issue of "ICG Magazine" According to these articles it was an optical blow-up at DuArt. It was indeed shot on Super16mm not 16mm (7218,7246) with an Arri SR and mostly on a Zeiss Super-speed 16mm prime. Yeoman refers to the 16 as their "workhorse", also sometimes using the 12mm and the 24mm. Good movie. Link to comment Share on other sites More sharing options...
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