Jump to content

Shooting a full length commercial film on HDX


Arun Singaraju

Recommended Posts

Hello,

 

How does it look on screen when a film is shot with an HDX 200 suing 35mm adpater and projected in a theatre. Does it look like a camcorder video or does it gives the film look. Since theatre screens have a higher resolution (2K) as compared to this camera.

 

Any pointers?

 

TIA.

Link to comment
Share on other sites

  • 4 weeks later...
  • Premium Member
Hello,

 

How does it look on screen when a film is shot with an HDX 200 suing 35mm adpater and projected in a theatre. Does it look like a camcorder video or does it gives the film look. Since theatre screens have a higher resolution (2K) as compared to this camera.

 

Any pointers?

 

TIA.

 

 

Here is a list (from IMDB)of features shot with the HVX-200. Maybe you could rent some to give you

some idea and maybe a local film festival person might have knowledge of a print somewhere of

one of them or maybe you could contact one of the filmmakers.

 

 

Also, maybe you could swing doing a small test. $ but worth it if possible. One thing on which

there seem to be a consensus is avoid diffusion on the lens as you want to stay as sharp as

possible for your film print.

 

 

 

http://www.imdb.com/Lookup

 

Technical Searcher

 

Here are the entries containing HVX-200

 

"Satacracy 88" (2006)

Camera: Panasonic HVX-200

"Sunshine Days" (2007)

Camera: Panasonic HVX-200

Art Officially Favored (2007)

Camera: Panasonic HVX-200

Butterflies (2006) (V)

Camera: Panasonic HVX-200

Confession (2006)

Camera: Panasonic HVX-200

Counting Backwards (2007)

Camera: Panasonic HVX-200

Courage Doesn't Ask (2007)

Camera: Panasonic HVX-200

Crooked Eye, The (2007)

Camera: Panasonic HVX-200

Cyn (2007)

Camera: Panasonic HVX-200

Dealership (2006)

Camera: Panasonic HVX-200

Deus Não Quis (2007)

Camera: Panasonic HVX-200

Fighter (2007)

Camera: Panasonic HVX-200

Fool's Gold (2006)

Camera: Panasonic HVX-200

He Lives (2007)

Camera: Panasonic HVX-200

Hole, The (2008)

Camera: Panasonic HVX-200

Jackson Arms (2007)

Camera: Panasonic HVX-200

Junction (2007)

Camera: Panasonic HVX-200, Zeiss Prime Lenses (P+S Technik Pro35 Image Converter)

Kill Buljo: The Movie (2007)

Camera: Panasonic HVX-200

Lake Mungo (2007)

Camera: Panasonic HVX-200

Lonely in Los Angeles (2006)

Camera: Panasonic HVX-200, Zeiss Prime Lenses

Manje' (2007)

Camera: Panasonic HVX-200

Nine (2008)

Camera: Panasonic HVX-200

No se retire (2007)

Camera: Panasonic HVX-200, Zeiss Prime Lenses (with Mini35 Adapter)

No se vaya (2007)

Camera: Panasonic HVX-200, Zeiss Prime Lenses (with Mini35 Adapter)

Partyline (2007)

Camera: Panasonic HVX-200

Rainy Day Miracle (2007)

Camera: Panasonic HVX-200 (with Redrock Microsystems M2 Cinema Lens Adapter)

Reunion (2006) (V)

Camera: Panasonic HVX-200

Smile of April (2008)

Camera: Panasonic HVX-200

That One Night (2007)

Camera: Panasonic HVX-200

Too Saved (2007)

Camera: Panasonic HVX-200

"Bad Girls Club, The" (2006) {Holy Ghost! (#1.13)}

Camera: Panasonic HVX-200

"Tenchi Muyô! GXP" (2002) {Fog After Rain Is Sometimes Unlucky (#1.1)}

Camera: Panasonic HVX-200

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...