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Keith Mottram


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a few quick clips are up on their site now, and although it is hard to gleam much information from compressed qt's the footage does look nice. The use of raw seems to have paid off in both the daylight interior (lots of white) and in the night time driving scene. The overall impression is of a digital 16mm which is I guess what they're going for! And this in itself isn't a bad thing as it should be a great camera for an intimate drama or doco. I am keeping a close eye on this camera and hoping that they can work with p+s on an optical viewfinder.

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