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Benoît Debie - Enter The Void

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Does anyone know how Benoît Debie might've achieved the POV shots from this feature?!

It dosen't look like handheld work nor steadycam. Still looks very realistic and organic-movement wise.

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Does anyone know how Benoît Debie might've achieved the POV shots from this feature?!

It dosen't look like handheld work nor steadycam. Still looks very realistic and organic-movement wise.

 

According to American Cinematographer, all the scenes when Bruno is alive were shot 35mm with an Arricam lite - Noe does most of his own handheld operating. I would imagine it was shot handheld with a fair amount of post manipulation and reframing...

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According to American Cinematographer, all the scenes when Bruno is alive were shot 35mm with an Arricam lite - Noe does most of his own handheld operating. I would imagine it was shot handheld with a fair amount of post manipulation and reframing...

 

I am especially interested in the first part (15-20 minutes) in which Oscar walks around the room / lays in bed, then gets up.. all that - I can't really imagine how you can "handheld" those shots; be it heavy post. A body mount crossed my mind but seems very very complicated with a 35/16 mm camera.

I haven't been able to read the AC mag, haven't got a subscription...

Anyways, if you have any more info about the matter or if you could tell me more about how handheld work could replicate that, I would most appreciate it!

 

Thanks a lot, Mathew,

Cheers !

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I meant Oscar - don't know where I got Bruno from

 

Here is the issue

 

Mathew, thanks a lot for the link, it was an interesting lecture at the least.

But still not getting closer to the point of this discussion. DARN !:))

 

I really hope I can find some solid info about this.

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