David Matthews Posted October 10, 2011 Share Posted October 10, 2011 As simple as the topic sounds. I'm just looking for some new and innovative thinking when it comes to catchlights. I realize it can be all relative to the subject matter, but I was hoping some of you might have a few clever ideas for creating a unique look when dealing with eyelight reflections. Any and all unorthodox methods are welcome. I've got a Christmas themed hospital shoot involving lots of close ups on children coming up and I'd like to do something different. The direction I'm heading at the moment involves several dozen frosted Christmas bulbs around the matte-box. It seems to be working nicely, but prompted me to seek out new ideas. I figured if nothing else, some fresh ideas might be shared. Thanks D Link to comment Share on other sites More sharing options...
Premium Member David Auner aac Posted October 11, 2011 Premium Member Share Posted October 11, 2011 Hi David, a couple of years ago we used Christmas fairy lights suspended a little bit above the lens via magic arm. Worked really well and made a unique eyelight ;) Regards, Dave Link to comment Share on other sites More sharing options...
Francesco Bonomo Posted October 11, 2011 Share Posted October 11, 2011 If I remember correctly, Andrew Lesnie used a relative big frame with many many Christmas lights for the unique eye-light of Galadriel in "The Fellowship of the Ring". The frame was not incredibly close to the camera, but in the ecu you can definitely see all those little dots shining in her eyes. Link to comment Share on other sites More sharing options...
David Matthews Posted October 11, 2011 Author Share Posted October 11, 2011 Thanks for the feedback. The trick is getting these lights configured in a manner that won't be cumbersome when moving from set-up to set-up. I'm still doing a bit of troubleshooting, but getting good results. Link to comment Share on other sites More sharing options...
Premium Member Chris Keth Posted October 11, 2011 Premium Member Share Posted October 11, 2011 Thanks for the feedback. The trick is getting these lights configured in a manner that won't be cumbersome when moving from set-up to set-up. I'm still doing a bit of troubleshooting, but getting good results. Put them on a spare hard matte for a wide lens. Link to comment Share on other sites More sharing options...
Robert Harper Posted October 13, 2011 Share Posted October 13, 2011 If the camera has to be farther back, you could also use a string light with larger medium base colored party bulbs that should catch nicely in the eyes. Link to comment Share on other sites More sharing options...
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