Philip Ulanowsky Posted January 29, 2012 Share Posted January 29, 2012 I'm a classical man and was particularly struck by one of the images in the Sept. 2011 issue of American Cinematographer (http://www.theasc.com/ac_magazine/September2011/Anonymous/page1.php), the third one down on the right, of Oxford seated at his desk. This is a superb composition is every respect, and the lighting is something I'd like to try to replicate as a learning exercise. My guess is that a tall, fairly narrow softbox created the highlight on the pewter vessel and was either egg-crated or carefully flagged to control horizontal spill; a hard light of some kind, possibly a Source4, created the shaft of key light on the subject and the glare-angle highlight on the chair back. Anyone know or have further insights to share? Link to comment Share on other sites More sharing options...
Philip Ulanowsky Posted February 3, 2012 Author Share Posted February 3, 2012 Gee, 151 views and no written response. I must have said something wrong. Perhaps someone would let me know if I have addressed the wrong question, the wrong forum, or what. I will certainly appreciate it. Link to comment Share on other sites More sharing options...
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