Ryan Ball Posted March 26, 2012 Share Posted March 26, 2012 Really liked the look of the film. Had a grainy, gritty look. Looked like super 16 to me. Link to comment Share on other sites More sharing options...
Gary Lemson Posted March 26, 2012 Share Posted March 26, 2012 Really liked the look of the film. Had a grainy, gritty look. Looked like super 16 to me. According to IMDB... Panaflex Millennium XL2 Link to comment Share on other sites More sharing options...
Guest Stephen Murphy Posted March 26, 2012 Share Posted March 26, 2012 Super 35mm AFAIK Link to comment Share on other sites More sharing options...
Antti Näyhä Posted March 26, 2012 Share Posted March 26, 2012 Takayanagi in Variety: "On 'The Grey,' we tested several film stocks and processes and ended up choosing Kodak 5229 forced processed. We used Panavision XL2 and Platinum cameras." (I assume he means ”push processed”.) Link to comment Share on other sites More sharing options...
Ryan Ball Posted March 26, 2012 Author Share Posted March 26, 2012 Thanks for the replies. Seems like they could have used 16mm and had the benefit of more compact cameras for all the hand-held stuff. Link to comment Share on other sites More sharing options...
Shawn Martin Posted March 27, 2012 Share Posted March 27, 2012 The flashback of the young Neeson's character and his dad looked like it was shot anamorphic, unlike the rest of the movie. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted March 27, 2012 Premium Member Share Posted March 27, 2012 Thanks for the replies. Seems like they could have used 16mm and had the benefit of more compact cameras for all the hand-held stuff. Pushed 35mm still haas more resolution than Super-16, not to mention that everything was being cropped to 2.40. Plus if you needed the speed of the pushed 35mm it would have been harder to get away with pushing Super-16 as much. Link to comment Share on other sites More sharing options...
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