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Capturing the Night Sky on Film


Peter Ellner

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Shooting at night really shows the limitations of a camera and the amazing abilities of our eyes! Last week, I went up into the mountains on a camping trip and I brought my DSLR with me. Using an f/2.8 lens, a shutter speed of 1/50, and an ISO of 1600, I was unable to capture any of the stars in the sky... it all came out black. Meanwhile, I could immediately adjust from the brilliance of an iPad screen to the sky above and see the stars clearly. This got me thinking though: how in the world were shots like this one from Close Encounters of the Third Kind achieved using film (likely no faster than ASA 800)?

evanerichards.com/wp-content/gallery/close-encounters-of-the-third-kind/closeencounters074.jpg

I also recall shots in Lawrence of Arabia which clearly show stars in the sky.

 

So what are they doing, shooting with the ultra-fast lens used in Barry Lyndon? Or is it all a special effect done through optical printers and compositing in post?

 

Thank you!

Edited by Peter Ellner
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  • 3 weeks later...
  • 2 weeks later...

Shooting at night really shows the limitations of a camera and the amazing abilities of our eyes! Last week, I went up into the mountains on a camping trip and I brought my DSLR with me. Using an f/2.8 lens, a shutter speed of 1/50, and an ISO of 1600, I was unable to capture any of the stars in the sky... it all came out black. Meanwhile, I could immediately adjust from the brilliance of an iPad screen to the sky above and see the stars clearly. This got me thinking though: how in the world were shots like this one from Close Encounters of the Third Kind achieved using film (likely no faster than ASA 800)?

evanerichards.com/wp-content/gallery/close-encounters-of-the-third-kind/closeencounters074.jpg

I also recall shots in Lawrence of Arabia which clearly show stars in the sky.

 

So what are they doing, shooting with the ultra-fast lens used in Barry Lyndon? Or is it all a special effect done through optical printers and compositing in post?

 

Thank you!

 

In order to photograph stars at night, you will probably need to be somewhere around a 30-40 second exposure at f2.8 with 1600 asa. I would look into purchasing an intervalometer for this type of timelapse or long exposures. Most DSLRs are limited to 1 second exposures. However you may have a manual bulb mode which you could time with a stop watch, but your risk shaking the camera.

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You CAN shoot long star exposures on FILM. 50 ASA, 100ASA

 

 

 

FUJI VELVIA 100 and KODAK EKTAR 100:

 

http://benhorne.wordpress.com/2011/09/26/fuji-velvia-100-vs-kodak-ektar-100-round-2/

 

 

 

and just for fun because it's FUJI VELVIA 50:

http://benhorne.wordpress.com/2011/09/27/slide-film-tonality-fuji-velvia-50/

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I think this topic has moved totally of what he was asking, but yes it's almost impossible, watch collateral for great low-light scenes.

 

 

otherwise you'll have to go down the road of VFX.

 

You CAN shoot long star exposures on FILM. 50 ASA, 100ASA

 

 

 

FUJI VELVIA 100 and KODAK EKTAR 100:

 

http://benhorne.word...ar-100-round-2/

 

 

 

and just for fun because it's FUJI VELVIA 50:

http://benhorne.word...fuji-velvia-50/

 

I love the look of Velvia but to be safe go with 100.

I would not recommend Velvia 50 RVP for long exposure because of reciprocity failure and color shifts.

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