Robin Herinckx Posted April 16, 2013 Share Posted April 16, 2013 Hello all, I'm about to assist on a project where the DP and director want a shot where they'll start with an extreme close-up of an eye and end in a close-up of the character. I'd like to know what the best option for this type of shot would be: 1) use a long zoom combined with a diopter and zoom out 2) use a prime with a diopter and travel out. keeping things in focus will be challenging to say the least 3) use a macro lens with a diopter and travel out. again, focus We're aware that the actress will have to be lit to a deep stop if we're going to travel, and that we're likely to cast shadows from us/the camera on her face. A headbrace will also be used. Since this is a student film, budget is a consideration. Any and all advice is greatly appreciated! Link to comment Share on other sites More sharing options...
Eric H Posted April 16, 2013 Share Posted April 16, 2013 What format are you shooting on and how is it being released? Eric Halberstadt Link to comment Share on other sites More sharing options...
Robin Herinckx Posted April 16, 2013 Author Share Posted April 16, 2013 We'll be using a camera with a S35 sized sensor, I personally have no idea how it will be released. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted April 16, 2013 Premium Member Share Posted April 16, 2013 You'll probably want to bury a zoom out during the dolly move back though of course it could all be done with a zoom or all done on a dolly, it's just that you'll need to use a 100mm macro and will start very close to the face if you do it all on a dolly. With a buried zoom its a bit easier, you start at minimum distance for the zoom and zoom into the eye, you will be well over 200mm at the start, or use a +1 diopter if you want to start a bit closer. Link to comment Share on other sites More sharing options...
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