Reuel Gomez Posted December 8, 2013 Share Posted December 8, 2013 I know it's too early to tell, but I'm wondering what Zack Snyder is going to do as far as format and camerawork are concerned. The first was lensed by Amir Mokri and shot handheld with PV anamorphics (mostly C-Series with an E180 and an ATZ I believe) But for this film, Syder's regular DP Larry Fong will be the cinematographer. So I wonder what approach they will take. Whenever they've collaborated, they've shot Super 35. So will they go with that? Or 35mm anamorphic? Or digital? I kinda hope they stick with 35mm anamorphic but don't do as much handheld work this time around since we're throwing Batman into the mix and I feel the "documentary look", wont work with him in frame. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted December 9, 2013 Premium Member Share Posted December 9, 2013 I think Snyder went with anamorphic over Super-35 mainly because Christopher Nolan was producing, so if Nolan is producing the sequel, the same approach may be used. And Larry Fong used anamorphic lenses for "Super-8" remember. I don't see why a documentary style is somehow less relevant for Batman instead of Superman, most people would think the opposite. Batman, after all, doesn't have super powers and is the more realistic of the two. Link to comment Share on other sites More sharing options...
Reuel Gomez Posted December 9, 2013 Author Share Posted December 9, 2013 Good point. Link to comment Share on other sites More sharing options...
Reuel Gomez Posted January 18, 2014 Author Share Posted January 18, 2014 And now it's being released in 2016, which sucks... Link to comment Share on other sites More sharing options...
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