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What's it like being a Camera Operator?


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It depends on the type of work you do. If you do commercials or features, it's great. You don't need to bring anything, grips bring you apple boxes and set courtesy flags for you, 2nd AC's bring you water bottles, you get to be involved in creative discussions with the DP, and you get the best seat in the house. Then you get to walk away at wrap. Of course, when the camera is rolling, you have to deliver.

 

If you work in reality, documentary, or broadcast, it's a lot harder. The camera is generally on your shoulder 100% of the time and you will do very long takes day after day while a technical director yells direction in your ear over comms. And you rarely get pampered by grips or ACs because a lot of the time there isn't one. Of course, there are a lot more jobs in these fields these days than in commercials of features.

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