Mi Ki Posted August 14, 2014 Share Posted August 14, 2014 (edited) Do you think there is a fashion or trends in cinematography? What are the new trends, popular looks, cliches etc? Edited August 14, 2014 by Mi Ki Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted August 14, 2014 Premium Member Share Posted August 14, 2014 There are decade-long trends and short-term trends... one short-term trend I see is letting the final image look like the log file, very washed-out (sort of the opposite of the hi-con skip-beached look popular a few years ago, except that both tended towards desaturation). Super shallow-focus is also a popular trend. Right now, handheld shooting seems very hip. So I guess the ultimate hip image is some super shallow-focus handheld shot of a woman twirling in a field of flowers at sunset, the lens flared and the contrast being very milked-out -- I seem to see it on half the reels out there... Some people talk about the orange-teal look, though I think the controversy is a bit overblown, you can find orange and teal everywhere if you are looking for it. Sometimes you have a reason for orange and teal colors in the frame. Link to comment Share on other sites More sharing options...
cole t parzenn Posted August 14, 2014 Share Posted August 14, 2014 Brownie points if the flares are vfx anamorphic flares with no connection to any light source and the aspect ratio's not 2.39. I see that far too often. How did these trends start? Link to comment Share on other sites More sharing options...
Brian Drysdale Posted August 14, 2014 Share Posted August 14, 2014 One common one in UK TV is to have an out of focus two shot, with the focus on some meaningless object in the foreground, like the carpet pile or a section of painted wall (sometimes it's just the out of focus 2 shot). It's all over the place like a bad rash. How it started I don't know, the first time I noticed something similar was on a CH4 programme called "Embarrassing Bodies" , in which each new patient is introduced in a styled infinite white surgery with the camera focused on a piece of medical equipment in the foreground, often combined with a camera move. That works really well, but I don't know if that was just copied by every general TV programme in the UK and done badly, or it came from another source. Same thing happened with dutch angles for a while. Link to comment Share on other sites More sharing options...
John Salim Posted August 14, 2014 Share Posted August 14, 2014 Artificial lens flare ! Hate it, hate it, hate it !!! It's everywhere. Quite often I'll see a commercial break where all ads have it ( even the show's bumpers had it once ). John S :angry: Link to comment Share on other sites More sharing options...
Mi Ki Posted August 14, 2014 Author Share Posted August 14, 2014 Brownie points if the flares are vfx anamorphic flares with no connection to any light source and the aspect ratio's not 2.39. I see that far too often. How did these trends start? I first noticed it in Abram's Star Trek :) Link to comment Share on other sites More sharing options...
Mi Ki Posted August 14, 2014 Author Share Posted August 14, 2014 (edited) One common one in UK TV is to have an out of focus two shot, with the focus on some meaningless object in the foreground, like the carpet pile or a section of painted wall (sometimes it's just the out of focus 2 shot). It's all over the place like a bad rash. How it started I don't know, the first time I noticed something similar was on a CH4 programme called "Embarrassing Bodies" , in which each new patient is introduced in a styled infinite white surgery with the camera focused on a piece of medical equipment in the foreground, often combined with a camera move. That works really well, but I don't know if that was just copied by every general TV programme in the UK and done badly, or it came from another source. Do you mean something like this? Phillip Bloom uses shots like these a lot: Edited August 14, 2014 by Mi Ki Link to comment Share on other sites More sharing options...
Mi Ki Posted August 14, 2014 Author Share Posted August 14, 2014 I also see very often this tilt-shift effect... Link to comment Share on other sites More sharing options...
Michael LaVoie Posted August 14, 2014 Share Posted August 14, 2014 I've often complained about the relentless trend of handheld verite style shooting in "indie" film. Not action Bourne type movies that need a handheld frenetic pace. I mean films like Dallas Buyer's Club, Blue is the Warmest Color, etc. where no one is doing much on screen but talking yet the camera is handheld shaking needlessly. Just to give it this "authentic" indie voyeruistic documentary feel which is just not necessary in most cases. Whenever a film opens like that with a handheld shot of someone just sitting there, I'm a little disappointed cause I know it's not going to feel like a movie. It's going to feel like a blocking rehearsal for the movie they would have made if they took the time to shotlist it out. Link to comment Share on other sites More sharing options...
Mi Ki Posted August 14, 2014 Author Share Posted August 14, 2014 I didnt mind it in these movies, but I am bored by this look :) All fashion videos look like this... Link to comment Share on other sites More sharing options...
John Salim Posted August 14, 2014 Share Posted August 14, 2014 (edited) There was another trend a few years back ....'cut and run' I think they called it where the camera jerked and zoomed all over the place for no apparent reason. I've never seen a technique so bad that it removes the viewer away from the actual story ( ... and makes you sea sick at the same time ). I think 'NYPD Blues' was one of the worst offenders. John S Edited August 14, 2014 by John Salim Link to comment Share on other sites More sharing options...
Brian Drysdale Posted August 14, 2014 Share Posted August 14, 2014 Do you mean something like this? Phillip Bloom uses shots like these a lot: The effect is similar, but a lot less well done and usually totally lacking in any sense of style. Link to comment Share on other sites More sharing options...
cole t parzenn Posted August 14, 2014 Share Posted August 14, 2014 I first noticed it in Abram's Star Trek :) I read that those were natural. Really, really poorly done but natural. I've often complained about the relentless trend of handheld verite style shooting in "indie" film. Not action Bourne type movies that need a handheld frenetic pace. I mean films like Dallas Buyer's Club, Blue is the Warmest Color, etc. where no one is doing much on screen but talking yet the camera is handheld shaking needlessly. Just to give it this "authentic" indie voyeruistic documentary feel which is just not necessary in most cases. Whenever a film opens like that with a handheld shot of someone just sitting there, I'm a little disappointed cause I know it's not going to feel like a movie. It's going to feel like a blocking rehearsal for the movie they would have made if they took the time to shotlist it out. Handheld done well though.... Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted August 14, 2014 Premium Member Share Posted August 14, 2014 I didnt mind it in these movies, but I am bored by this look :) All fashion videos look like this... I know it's become almost a cliche by this point, but this look still works for me. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted August 14, 2014 Premium Member Share Posted August 14, 2014 ANY style & technique can work in the right context and applied with some justification. 1 Link to comment Share on other sites More sharing options...
Mi Ki Posted August 14, 2014 Author Share Posted August 14, 2014 Great handheld work was in TV series The Shield. I also noticed that many directors try to shoot their scenes (or short movies) in one long shot And of course: Link to comment Share on other sites More sharing options...
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