Arri 35BL3 Grease?

[John Jaquish]

Reading through Jon Fauer's Arri 35 Book on 35BL maintenance, and he recommends (as recommended by Arri) "Petrolon Slick-50 Teflon Grease" for the cams and masks. I don't see this product on the market on a google search. The "Slick-50" company makes a lubricant, but it's a spray, and I don't think that's the right product. Does anyone know of an alternative?

 

I found these possible options for teflon grease:

 

http://www.performancelubricantsusa.com/product/high-temp-grease.php

http://www.uspetrolon.com/catalog/lubricants/extreme-pressure-grease

http://www.amazon.com/gp/product//B002L5YYYA

Additionally, for PDP-38 oil, all I found was this resource: http://www.gelcompany.com/home/leica/cryostat/7348-cryostat-oil-type-isoflex-pdp38-50ml - Not sure of any other places this can be got?

Thanks much,

[David J Paradise]

What about Isoflex Special Kluber grease?

[John Jaquish]

Thanks, David. I'm certainly open to suggestions. Would you have a link to that?

[rob spence]

http://www.maxxtech.eu/Slick-50-One-Grease-Mehrzweckfett-400g.html

 

 

is this what you need? seems to be a German website.

[rob spence]

Sorry I think thats a spray too...have you tried contacting Slick?

[Mark Dunn]

Sorry I think thats a spray too...have you tried contacting Slick?

A Kartusche is a grease-gun type cartridge.

It doesn't seem as if a high-temperature or extreme pressure grease would be necessary for a camera. The bicycle one seems more like it.

Edited February 10, 2015 by Mark Dunn

[John Jaquish]

It seems like this is the original one referred to in Fauer's book, though it's no longer in production.

 

Maybe this one by Dupont is closer to what's needed (in the can, not the spray). Yeah, I'm not sure if a high temp/extreme pressure grease would be necessary either.

 

For what it's worth, it seems like Petrolon / Slick 50 was sued by Dupont for using the "Teflon" trademark name. Though, Teflon/PTFE is a component in all these products.

Edited February 10, 2015 by John Jaquish

[Dom Jaeger]

I'm always a little wary of weighing in on lubrication questions, because it can sometimes be really problematic using the wrong lubricant, and other times it doesn't matter so much.

 

There is an entire science to lubricant manufacture and selection, but much of it relates to industrial applications where machines are running continuously or for long periods under sometimes extreme conditions or at very high speeds. In these cases the right lubricant is pretty essential.

 

For things like bicycles you could use almost anything as long as it vaguely fits the application specs.

 

Movie camera lubrication is sort of in between, the tolerances are fine so you want to minimise wear, but the speeds are relatively slow, the materials fairly standard and the temperature range within normal climatic variations. When cameras were being professionally used and running through hundreds of thousands of feet of film a year the specified lubricants would certainly have saved the cameras from early deterioration and expensive repairs, but these days for owners who might run a few thousand feet through now and then the choice of lubricant is far less vital, as long as it meets the basic requirements.

 

With cameras of the vintage of a BL3 from the early 80s you're more likely to have electronic failures than mechanical ones, unless the camera becomes contaminated or subjected to extreme temperatures. The important thing is not to use lubricants that might react badly with certain metals, plastics or resins, or leach onto surfaces that require a specific friction or come in contact with the film or the optics. Avoid silicon at all costs for example, or consumer products like WD-40.

 

You could try to contact Arri about specified lubricants, I've bought Chronosynth 1/8 oil and Isoflex LDS 18/05 from them in the last few years. Or visit a rental house with an established service department (like the one I work for, I still have a small jar of Slick 50 kicking around).

 

Otherwise a decent clock oil like Nye Oil will suffice, and Arri's regular grease Isoflex LDS from Klueber would be fine for bearings and cams. Or ask a lubricant company to recommend something for the application. An important consideration is something that lasts a long time without drying out or changing characteristics. You don't need high temperature or high pressure greases.

 

One of the problems with changing greases is that mixing them can sometimes cause an unwanted reaction, so ideally you would clean off all of the old grease before applying the new grease. But that usually requires complete disassembly and the associated knowledge and equipment to reassemble and calibrate correctly. It's another reason I'm a bit hesitant to recommend alternatives, but the reality is that many people will try to maintain their cameras themselves anyway these days.

[John Jaquish]

Thank you for the detailed input, Dom. I certainly wouldn't presume to be able to give this thing a full maintenance, but would at least like to be able to keep it lubed before being able to get it overhauled (ideally after I finish a project I'm currently in the midst of).

 

The other concern I had was in fact mixing a new grease with what's already in the camera. What's in there now looks like it's an opaque cream color.

 

Now, Fauer refers to "Arri Grease" later on in reference to IIC lubrication, and I did get some of this as I have a IIC and this is still sold by Arri. It looks somewhat similar to what's in the BL now, but has more of a petroleum oil look to it. The Arri Grease is in fact different than what would be used on the BL, or could that potentially be used?

 

I also plan on contacting Clairmont (where I got the camera) and see what they use.