Rogelio Sanchez Posted July 4, 2015 Share Posted July 4, 2015 So I'm shooting a short film and it mostly takes place at night on the road inside a car, and I have a very low budget, it's supposed to look like a kind of b horror/grindhouse movie. My inspiration of the lighting is Deathproof by QT, here's a picture and basically I'm looking to light my scene exactly like that, my question is, how can i achieve this cheaply? which lights do you recommend and how do i place them? Thanks Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted July 4, 2015 Premium Member Share Posted July 4, 2015 I once did something almost exactly like that with a 1200W HMI PAR about forty feet behind the car (which was overkill, a 575 or 2K tungsten gelled blue would probably have done it), and a single four-foot tungsten kino-flo tube taped to the dash. If you want something in the back seat, well, you'll need to rig something similar behind the driver. I seem to recall I had a four-foot, four-bank daylight kino rigged overhead on some sort of creatively-gaffed combiniation of C-stands so the exterior front of the car was at least slightly visible. Obviously if you want to simulate driving along, you'll need some lighting gags to produce moving lights, reflections, back projection, whatever. P 1 Link to comment Share on other sites More sharing options...
JD Hartman Posted July 4, 2015 Share Posted July 4, 2015 (edited) On the cheap, for the interior: under-cabinet florescent lights (electronic ballast); KinoFlo tungsten tubes. The small 8w strips are small enough to tape/hide in a car. Use a 100w inverter in the cig. lighter to power them Edited July 4, 2015 by JD Hartman 1 Link to comment Share on other sites More sharing options...
Rogelio Sanchez Posted July 4, 2015 Author Share Posted July 4, 2015 I once did something almost exactly like that with a 1200W HMI PAR about forty feet behind the car (which was overkill, a 575 or 2K tungsten gelled blue would probably have done it), and a single four-foot tungsten kino-flo tube taped to the dash. If you want something in the back seat, well, you'll need to rig something similar behind the driver. I seem to recall I had a four-foot, four-bank daylight kino rigged overhead on some sort of creatively-gaffed combiniation of C-stands so the exterior front of the car was at least slightly visible. Obviously if you want to simulate driving along, you'll need some lighting gags to produce moving lights, reflections, back projection, whatever. P Thank you so much! Link to comment Share on other sites More sharing options...
Stuart Brereton Posted July 5, 2015 Share Posted July 5, 2015 I'll second JD's recommendation. I once lit part of a commercial in China with $2 12" fluorescents gaff taped to the outside of a car window. Looked great, and the weird color temperatures fit right in with the mixed lighting you generally have at night in the city. Link to comment Share on other sites More sharing options...
Rogelio Sanchez Posted July 5, 2015 Author Share Posted July 5, 2015 On the cheap, for the interior: under-cabinet florescent lights (electronic ballast); KinoFlo tungsten tubes. The small 8w strips are small enough to tape/hide in a car. Use a 100w inverter in the cig. lighter to power them Thanks! I'll try that Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted July 5, 2015 Premium Member Share Posted July 5, 2015 Are you talking about lighting a poor mans' process shot? Or is the car actually driving? Link to comment Share on other sites More sharing options...
Rogelio Sanchez Posted July 5, 2015 Author Share Posted July 5, 2015 Are you talking about lighting a poor mans' process shot? Or is the car actually driving? I'm thinking about the former, shooting inside, putting some black drapes or something to pretend it's night and the car is moving, or I don't know if greenscreen is better; the scene is supposed to take place in the middle of the night on a deserted highway Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted July 5, 2015 Premium Member Share Posted July 5, 2015 Greenscreen lets you do more, but is highly reliant on post for convincing results. Cars are reflective and the solution is rarely straightforward. Night driving scenes can be done convincingly with lighting gags and a bit of ingenuity. Back projection can be surprisingly useful. P Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted July 5, 2015 Premium Member Share Posted July 5, 2015 If the car is driving in the middle of nowhere then usually poor man's process against black is fine unless you really want to see a moonlight landscape outside the windows, but that means shooting day for night (or dusk for night if there are car headlamps visible in the background) for background plates which may need post work to darken the skies, and then using green screen or rear projection. If you do poor man's process, it helps to obscure the background a little with rain drops on the glass or dust and moving shadows plus maybe a distant car headlight gag using two small lights in the background, perhaps sliding side to side slightly. 2 Link to comment Share on other sites More sharing options...
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