Wade Clarke Posted June 25, 2017 Share Posted June 25, 2017 Thanks Mark. I had come across that Cameraequip page before, but it gave so little info beyond a link to the manufacturer's homepage that I wasn't even sure they were offering to scan others' films, or if the device was simply for rent. Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted June 25, 2017 Author Premium Member Share Posted June 25, 2017 Yep, the website's pretty useless. Just give them a call. Link to comment Share on other sites More sharing options...
Marcus Patterson Posted July 14, 2017 Share Posted July 14, 2017 Hey guys, This was a really useful forum. I am shooting a S16 short, planning for about 8,000' of film. We are getting it scanned at 2K on a Goldeneye II. I plan to receive ProRes4444 files for editorial. I have not scanned film before - I know I will receive log video files, but what is the best way to remap back to 709? I see a LUT in DaVinci for "Cineon to 709" - would this be what I'm looking for? I have a lot of experience creating my own LUTs for different camera manufacturer's log, but I really want to stay true to the 'film' color and contrast that we get from celluloid and at least start with a LUT that will get me as close as possible to the image as though it were projected from a print. I am planning to do a test next week, but I wanted to get as much information as possible. Any info you guys can provide would be great! Thanks! Marc Link to comment Share on other sites More sharing options...
Peter Andrews Posted February 5, 2021 Share Posted February 5, 2021 I know this is an old thread, but there is an ArriXT and a Scanstation in Canberra that takes on commercial and amateur scanning jobs. Link to comment Share on other sites More sharing options...
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