Max Field Posted October 2, 2017 Share Posted October 2, 2017 Award-winning filmmaker Mark Kenfield Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted October 2, 2017 Author Premium Member Share Posted October 2, 2017 Thanks guys :) Link to comment Share on other sites More sharing options...
Karim D. Ghantous Posted October 2, 2017 Share Posted October 2, 2017 Well deserved! Link to comment Share on other sites More sharing options...
Premium Member Dom Jaeger Posted October 2, 2017 Premium Member Share Posted October 2, 2017 That's fantastic news Mark, well deserved! You should enter it in the ACS awards, get yourself accredited! Link to comment Share on other sites More sharing options...
Gregg MacPherson Posted October 2, 2017 Share Posted October 2, 2017 Wow. Good one Mark.! Link to comment Share on other sites More sharing options...
Premium Member Stephen Perera Posted October 2, 2017 Premium Member Share Posted October 2, 2017 looks great would love to see trailer etc Link to comment Share on other sites More sharing options...
Premium Member Tyler Purcell Posted October 2, 2017 Premium Member Share Posted October 2, 2017 Congrats! I'd still love to see some of that stuff in motion. :) Link to comment Share on other sites More sharing options...
Aaron Michael Rich Posted October 2, 2017 Share Posted October 2, 2017 Awesome stuff Mark and gang!! Looks so good Link to comment Share on other sites More sharing options...
Kenny Keeler Posted February 20, 2018 Share Posted February 20, 2018 Nice work Mark congrats on the award! This looks great! Im curious to pick your brain more on your exposure process. You mentioned with the car int. and backlit exteriors you split the exposure down the middle. are you saying you took a reading of the interior of the car and then a reading of the exterior of the car and set your lens in the middle of both of those? Were you trying to keep yourself at a specific stop? Example trying to always keep your self around a 2.8 or 4? Thanks for the advice! Im with everyone else would love to see a trailer or the whole short to see it in motion. Keep up the great work! Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted February 21, 2018 Author Premium Member Share Posted February 21, 2018 Nice work Mark congrats on the award! This looks great! Im curious to pick your brain more on your exposure process. You mentioned with the car int. and backlit exteriors you split the exposure down the middle. are you saying you took a reading of the interior of the car and then a reading of the exterior of the car and set your lens in the middle of both of those? Were you trying to keep yourself at a specific stop? Example trying to always keep your self around a 2.8 or 4? Thanks for the advice! Im with everyone else would love to see a trailer or the whole short to see it in motion. Keep up the great work! Thanks Kenny. Yep, splitting the exposure is simply taking a reading on the shadow side of the face, and another from the direct sun and then going halfway between them. Works a treat. I tried to keep almost the whole film between a T/2 and T/4 for depth (some shots wanted more depth of field, so I'd stop down to T/8 for those). on 250 ASA stock, it did require a LOT of ND upfront for the exteriors (which gets difficult with an optical viewfinder). Link to comment Share on other sites More sharing options...
Premium Member Stephen Perera Posted May 1, 2018 Premium Member Share Posted May 1, 2018 so where can one see this film out here in the middle of movie nowhere? Link to comment Share on other sites More sharing options...
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