Gabriel Wilson Posted May 7, 2018 Share Posted May 7, 2018 This July I am shooting a film in Greece. There are numerous daytime exteriors, a similar look and tone to "Call Me By YourName" (although not on film) we are shooting Alexa Mini. And this is a low budget short. The sun is going to be overbearing and I have a limited amount of time and crew so can't spend the whole lot of time building overheads. I was curious to hear any insights into how to light in such harsh conditions. and If I am able to diffuse the sun the best way to key and fill. Also any insight into "Call Me By Your Name Would be great. Link to comment Share on other sites More sharing options...
Premium Member Mark Kenfield Posted May 8, 2018 Premium Member Share Posted May 8, 2018 Call Me By Your Name wasn't at all afraid of direct sunlight. I suspect a large part of the look was achieved simply through appropriate time-of-day scheduling, to ensure that the sun was coming from the right direction, at an appropriate intensity. With fill light provided when necessary. Link to comment Share on other sites More sharing options...
Gabriel Wilson Posted May 8, 2018 Author Share Posted May 8, 2018 Agreed. Any thoughts on sun position? Link to comment Share on other sites More sharing options...
Max Field Posted May 8, 2018 Share Posted May 8, 2018 Agreed. Any thoughts on sun position? post a picture of a shot. Link to comment Share on other sites More sharing options...
John Holland Posted May 8, 2018 Share Posted May 8, 2018 Back light soft bounced fill. Link to comment Share on other sites More sharing options...
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