Edwin Feliu Posted October 26, 2018 Share Posted October 26, 2018 Do I need to load Kodak Vision3 500T 7219 in darkness, or can I get away with subdued light? Link to comment Share on other sites More sharing options...
Vince Sweeney Posted October 26, 2018 Share Posted October 26, 2018 (edited) 100% dark. Get a loading tent. Edited October 26, 2018 by Vince Sweeney Link to comment Share on other sites More sharing options...
Premium Member Tyler Purcell Posted October 26, 2018 Premium Member Share Posted October 26, 2018 or just use a stills changing bag, I use that a lot and it works fine with one magazine at a time. Film has to be loaded in pitch black. Link to comment Share on other sites More sharing options...
Edwin Feliu Posted October 26, 2018 Author Share Posted October 26, 2018 I'm confused. I was told that if it's 100 feet, it's a daylight spool, but 400 feet needs to be changed in darkness. Link to comment Share on other sites More sharing options...
dan kessler Posted October 26, 2018 Share Posted October 26, 2018 Nothing to be confused about. You were told correctly. 100 feet is a daylight spool, 400 and 1000 foot rolls are not. Link to comment Share on other sites More sharing options...
Mark Dunn Posted October 26, 2018 Share Posted October 26, 2018 (edited) The tightly-fitting metal flanges on a 100' spool protect all but the last few feet from the light, but it's still a good idea not to load in direct sunlight. Longer lengths are wound onto a 2" plastic core, bagged and put in a can. Once the can is open the film is at risk of fogging- the black bag isn't enough on its own. A 100' daylight spool and box look like this https://www.ebay.co.uk/itm/16mm-100ft-Daylight-Loading-Spool-And-Light-Tight-Box-/253111382027 and a 2" core looks like this https://www.cinetools.es/2396-large_default/film-core-bobbin-16mm.jpg See the difference? Film on a core has to be loaded and unloaded in darkness. 200' and 400' daylight spools used to be available, for high-speed cameras, but they're long gone. A daylight spool will work in some 16mm. magazines, but it will be very noisy, and if you run the film onto a 2" core it won't fit back in a 100' box. Edited October 26, 2018 by Mark Dunn Link to comment Share on other sites More sharing options...
Edwin Feliu Posted October 26, 2018 Author Share Posted October 26, 2018 Thanks, Dan. I look forward to shooting in color. Link to comment Share on other sites More sharing options...
Robin Phillips Posted October 26, 2018 Share Posted October 26, 2018 try to stay in the darkest room you can even with the 500T daylight spools. If you can do a bag its helpful, cause you never know if the tension on the film might loosen up a tad and you'll have 10 or so ft semi-loose in the camera body, which may get some orange flashing on it. that being said I've done 500T 100' changes mid day in the cab of a truck, no windows blacked out or anything, and was just fine. but you may not want to take that risk Link to comment Share on other sites More sharing options...
Premium Member Tyler Purcell Posted October 26, 2018 Premium Member Share Posted October 26, 2018 I'm confused. I was told that if it's 100 feet, it's a daylight spool, but 400 feet needs to be changed in darkness. Ahh got ya. Daylight spools are unique in this design. I still try to thread mine in total darkness. To me "load" refers to putting film into a magazine, vs threading it into a camera body. Link to comment Share on other sites More sharing options...
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