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panagiotis agapitou

Is it really cheaper to shoot in digital ?

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Posted (edited)
8 hours ago, Max Field / Macks Fiiod said:

Kids out here are watching every movie on their phone and laptop through multiple degrees of digital compression. You'd be surprised how little people care. I'll be like "ew look at that digital noise" and physically point it out and they'll be like "huh? what? oh I guess but whatever it's just a movie". Getting up to adjust the contrast so I can see the shadows better and everyone else will say "stop toying with it it doesn't matter I can see the faces its fine".

Yup, it's depressing but I'll also be depressed if my film looks like a glossy, flavorless, bland thing, it's our job to care really. How people consume things is not our problem. And there'll be a community of die hard film fans who will care and notice and appreciate.

Edited by Manu Delpech
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Where I live there are a lot of people who love movies and like seeing them on the big screen. It's true, most don't even know about the digital/film thing but they like discussing beauty of image and cinematography after the show. I think it's great that we have digital and film because it provides variety - subtle, but it's there. To my eye, the new phones and tablets are perfect for exhibiting film movies on. Sure they might be compressed making it impossible to see even a hint of grain but the image quality is good enough on a good phone to see subtle but important differences between digital and film. That's my view and I' sticking with it 🙂 Anyway, it always comes back to: what does the filmmaker care about?

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I must say though, I'm over my objections with digital cameras, and I concede that they are great. But for my own films, short and insignificant as they turn out to be (possibly), I will be shooting on film because it's part of the fibre of my being. It's my choice. I've got 600 ft of 50D in the fridge, so what do you expect. Film to me is the future, and I know a lot of others feel the same way.

Currently scouting for locations.

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