Maxime Sabin Posted December 11, 2019 Share Posted December 11, 2019 Hi guys, I'm asking myself if some of you have some good tricks about how we can help the talent to keep their eyes open. In a blown-out-sky or very sunny day, it happens often to shoot actors with half-shut eyes... I try to place black flag, or shoot later when it's possible but is there any other options ? Thanks, Max from France Link to comment Share on other sites More sharing options...
Premium Member Simon Wyss Posted December 11, 2019 Premium Member Share Posted December 11, 2019 Coffee? Link to comment Share on other sites More sharing options...
Bruce Greene Posted December 11, 2019 Share Posted December 11, 2019 This can be a challenge. Really, the only thing technically one can do is to cut some of the light off the actor's face. But, I think there can also be a psychological component to this and just using a single net might be enough effort to help keep the eyes open, without cutting so much light that it's obvious. Of course, if the actor is doing a lot of moving around, this might not be possible. As a last resort, ask the wardrobe department for... sunglasses? ? Link to comment Share on other sites More sharing options...
Premium Member Satsuki Murashige Posted December 12, 2019 Premium Member Share Posted December 12, 2019 You can soften the key light with a diffusion frame, or move it higher or more sidey out of their eyeline. Often, just reducing the specularity of the key light can help. On day exteriors, try shooting into backlight and just keying with a bounce card. You can also try putting a 4x4 floppy behind the camera. Link to comment Share on other sites More sharing options...
Stuart Brereton Posted December 12, 2019 Share Posted December 12, 2019 One thing I've seen actors do in bright conditions is to stare at the sun with their eyes shut before a take, so that when they open them they are already adjusted to the brightness. Whether this works is a question for the actors themselves. In the past, I have put up 8x8 or 12x12 solids in the actor's eyeline, but just out of shot so that any super hot backgrounds or reflections are flagged off. Other than that, there's not much you can do. Link to comment Share on other sites More sharing options...
Malcolm Ian Vu Posted December 14, 2019 Share Posted December 14, 2019 If your actors wear contact lenses, some of the Acuvue UV-blocking contacts might help a bit in strong sunlight. The Oasys or Acuvue 2 lenses, perhaps. I don't know about their availability in France. Link to comment Share on other sites More sharing options...
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