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Dimitrios Koukas

Weird job offer

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Dimitrios,

The project doesn't have to be HD, does it? You could also go the dvcpro50 route with the SDX-900... you'd be originating in a better color space than the XL2 and XLH1 (in HDV mode) and you'd have more lens options.

If you don't plan on a film out, it may not be a bad idea...

Edited by Matt Irwin

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Dimitrios,

The project doesn't have to be HD, does it? You could also go the dvcpro50 route with the SDX-900... you'd be originating in a better color space than the XL2 and XLH1 (in HDV mode) and you'd have more lens options.

If you don't plan on a film out, it may not be a bad idea...

 

This movie goes to the theaters first, so actually at first I ve said let's go 35mm, then they said why not with the new HDV cameras?

What can u say....

Just said make it S16 at least?

Anyway after the second meeting, I believe I am convinsing them for S16, thanks to Stephen that reminded me the ''dynamic range'', and just because is a road movie, we want the most a media can take in terms of latitude.

I will make some tests within the week same shot with an HDV camera, and a S16 one, one will go for the digital process to 35mm and the other for the blow-up to 35mm too.

There is no way I can't convinse them about it, after the results.

Dimitrios Koukas

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