Matt Irwin Posted October 4, 2005 Share Posted October 4, 2005 (edited) Dimitrios, The project doesn't have to be HD, does it? You could also go the dvcpro50 route with the SDX-900... you'd be originating in a better color space than the XL2 and XLH1 (in HDV mode) and you'd have more lens options. If you don't plan on a film out, it may not be a bad idea... Edited October 4, 2005 by Matt Irwin Link to comment Share on other sites More sharing options...
Premium Member Dimitrios Koukas Posted October 4, 2005 Author Premium Member Share Posted October 4, 2005 Dimitrios, The project doesn't have to be HD, does it? You could also go the dvcpro50 route with the SDX-900... you'd be originating in a better color space than the XL2 and XLH1 (in HDV mode) and you'd have more lens options. If you don't plan on a film out, it may not be a bad idea... This movie goes to the theaters first, so actually at first I ve said let's go 35mm, then they said why not with the new HDV cameras? What can u say.... Just said make it S16 at least? Anyway after the second meeting, I believe I am convinsing them for S16, thanks to Stephen that reminded me the ''dynamic range'', and just because is a road movie, we want the most a media can take in terms of latitude. I will make some tests within the week same shot with an HDV camera, and a S16 one, one will go for the digital process to 35mm and the other for the blow-up to 35mm too. There is no way I can't convinse them about it, after the results. Dimitrios Koukas Link to comment Share on other sites More sharing options...
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