Larry Clark's Wassup Rockers on XL2

[Isaac Chung]

I watched Larry Clark's "Wassup Rockers" at Slamdance and was shocked to find that it was shot on the XL2. It was transferred to film and looked like 35mm. (Normally, I have a good eye for the differences and believe the differences between Mini DV and 35mm are tremendous)

 

Does anyone know if Steve Gainer (DP) used the P+S Technik adapter to achieve the shallow depth of field?

 

And what post processes were used for the film?

 

I should have asked these questions at the screening but didn't think to; how do I normally find these things out?