Lighting in the Cut

[Paul Sifakis]

I've just watched Campion's "In the Cut", photographed by Dion Beebe and I was wondering

how you can achieve this look ( you know, dark, saturated, vibrant reds, greens and yellows).

Is something you can achieve with lighting, or something you can make in the post production. or maybe a combination of these two?

[Chris Keth]

I've just watched Campion's "In the Cut", photographed by Dion Beebe and I was wondering

how you can achieve this look ( you know, dark, saturated, vibrant reds, greens and yellows).

Is something you can achieve with lighting, or something you can make in the post production. or maybe a combination of these two?

 

 

It's probably a combination of the lighting, art direction, an already saturated filmstock, and measured overexposure to give a nice thick negative.