Guest welles313 Posted August 14, 2006 Share Posted August 14, 2006 I'm shooting a short film in the next few weeks that includes brief sequences of flashbacks to the late-1970's, specifically, Farmland exteriors, high school interiors, and a nighttime baseball game exterior. I'm hoping to replicate the look and color schemes (warm, yellows and browns and oranges) of late-70's films, along the lines of "Badlands" and "Apocalypse Now." Any suggestions on what kind of film stock/processing I should look into? Lenses? Link to comment Share on other sites More sharing options...
Premium Member John Pytlak RIP Posted August 14, 2006 Premium Member Share Posted August 14, 2006 I'm shooting a short film in the next few weeks that includes brief sequences of flashbacks to the late-1970's, specifically, Farmland exteriors, high school interiors, and a nighttime baseball game exterior. I'm hoping to replicate the look and color schemes (warm, yellows and browns and oranges) of late-70's films, along the lines of "Badlands" and "Apocalypse Now." Any suggestions on what kind of film stock/processing I should look into? Lenses? Should be able to do with filtration (e.g., Tobacco, Coral), lighting, and choice of color balance in printing/transfer. Older lenses with more flare, or diffusion filters. A low contrast film like KODAK VISION2 Expression 500T Color Negative Film 5229/7229 might be a good place to start for a "softer" look": http://www.kodak.com/US/en/motion/products....4.14&lc=en Link to comment Share on other sites More sharing options...
Dan Horstman Posted August 14, 2006 Share Posted August 14, 2006 Shoot tests, shoot more tests, and then shoot some more tests just to be sure. Link to comment Share on other sites More sharing options...
Robert Hughes Posted August 14, 2006 Share Posted August 14, 2006 From what I recall, the 70's looked about like today, except the hair was bigger, the clothes sillier and kitchens had harvest gold and avacado appliances. Link to comment Share on other sites More sharing options...
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