Premium Member marc laliberte else Posted January 25, 2007 Premium Member Share Posted January 25, 2007 hello, just watched the gondry film The science of sleep. Loved how raw the visuals were, fed the story perfectly but did not get to see the making of... Anyone know what they shot on? I have heard that shooting for him can very difficult (my gaffer in LA has been on a few of his video shoots), but that when it's all over it is worth it. I think he is a very brave, unconventional filmmaker and derserves credit for his vision. marc Laliberte Else Link to comment Share on other sites More sharing options...
Mike Panczenko Posted January 26, 2007 Share Posted January 26, 2007 Hi Marc, Good to see you on here. I 2nded for you when you were in Baltimore for the food network ad. Hope you've been well. There's a thread from when the movie came out originally here: http://www.cinematography.com/forum2004/in...cience+of+sleep It was shot on mostly Eterna 8573 500T, and also used Fujji 8561 250D, Kodak 5245 50D, and, apparently for animation work, 5274 200T. Shot using Zeiss G.O./superspeeds, along with a 100mm canon macro. An Arricam LT was used because the sound recordist felt that the DPs preferred Aaton 35s were too noisy. Hope you're well! Link to comment Share on other sites More sharing options...
Premium Member Max Jacoby Posted January 26, 2007 Premium Member Share Posted January 26, 2007 There was a thread on this film already, in the 'On the Big Screen' sub forum, if I am not mistaken. Link to comment Share on other sites More sharing options...
Premium Member marc laliberte else Posted January 27, 2007 Author Premium Member Share Posted January 27, 2007 Hi Marc, Good to see you on here. I 2nded for you when you were in Baltimore for the food network ad. Hope you've been well. There's a thread from when the movie came out originally here: http://www.cinematography.com/forum2004/in...cience+of+sleep It was shot on mostly Eterna 8573 500T, and also used Fujji 8561 250D, Kodak 5245 50D, and, apparently for animation work, 5274 200T. Shot using Zeiss G.O./superspeeds, along with a 100mm canon macro. An Arricam LT was used because the sound recordist felt that the DPs preferred Aaton 35s were too noisy. Hope you're well! hi mike, thanks for that. Glad to hear from you. mle Link to comment Share on other sites More sharing options...
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