Delorme Jean-Marie Posted September 29, 2008 Share Posted September 29, 2008 hi all i'll attend october 8th a presentation of the new penelop 35mm camera from aaton. it's conference is organized by the CST (technical superior comition) of the french film industry as well as panavision. jean pierre beauvialla will be there. i'll try to report my best to the forum . if any one of you want to put questions to ask this day let me know i strongly believe this can be the come back of the 35mm on smaler productions let me know your questions Link to comment Share on other sites More sharing options...
Premium Member Paul Bruening Posted September 29, 2008 Premium Member Share Posted September 29, 2008 How much money to buy one? or... How much time in prison to get caught stealing one? Link to comment Share on other sites More sharing options...
Serge Teulon Posted September 29, 2008 Share Posted September 29, 2008 Be interesting to know the charge by the rental companies... Link to comment Share on other sites More sharing options...
Saul Rodgar Posted September 29, 2008 Share Posted September 29, 2008 Would love to read more about this camera, please keep us posted! :) Link to comment Share on other sites More sharing options...
Delorme Jean-Marie Posted October 9, 2008 Author Share Posted October 9, 2008 well, verry nice evening yesterday for the presentation of the aaton penelope, this presentation was in the middle of a bigger presentation about the 2 perf in general. - price wise the penelope will be between the millenium and the aricam ST for rental. - there is about 20 2perfs camera mouvements nowadays for all europe half in panavision, half in arri. we could see projected from an SR tape, jpeg 2000, and 35mm material some test ran by panavision and DOP josé Gérel , some verry interesting comparative test between S16, 35 2perf, 35 3 perfs in 1 :78 with the 5217 , 5219 and 5201 another test in 1/85 and a last one in 2/35 with also a comparision with anamorphic 4 perf. the US production for TV are already verry used to the 3 perf but here in europe we are not at this point. material was digitalised at 2K and timed on a colorus at eclair laboratory in Paris the point was also to present the worflow. as a coclusion we could see the improvement of quality jumping from a S16 to a 2perf 1/78 to a 3 perf 178 then from S16 to a 2 perf 1/85 to a 3 perf 1/85 and from 2perf 2/35 spherical to a 3 perf 2/35 spherical to scope 4 perf anamorphic and 2 perf 2/35 in digital projection and in release print projection. hope i was clear enougth Link to comment Share on other sites More sharing options...
Premium Member Keith Mottram Posted October 9, 2008 Premium Member Share Posted October 9, 2008 as a coclusion we could see the improvement of quality jumping from a S16 to a 2perf 1/78 to a 3 perf 178 then fromS16 to a 2 perf 1/85 to a 3 perf 1/85 and from 2perf 2/35 spherical to a 3 perf 2/35 spherical to scope 4 perf anamorphic and 2 perf 2/35 in digital projection and in release print projection. hope i was clear enougth was there any noticable difference between 2 perf 2.35 and 3 perf 2.35? thanks, Keith Link to comment Share on other sites More sharing options...
Delorme Jean-Marie Posted October 9, 2008 Author Share Posted October 9, 2008 about no diferences that could motivate to film in 3 perfs. Link to comment Share on other sites More sharing options...
Delorme Jean-Marie Posted October 9, 2008 Author Share Posted October 9, 2008 but there was a difference in 1:85/1 Link to comment Share on other sites More sharing options...
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