Alex Ardenti

I actually have my camera at IJM Inc right now. Can't wait to get it back. I'm gonna shoot the hell out of it. Good to know about the Film Group also. I'll check them out. Thanks! Alex www.alexardenti.com

I wish those two guys would start fighting again.... :-) www.alexardenti.com

Has anyone ever succesfully put on a crystal synch motor on a Beaulieu R16? If so where? Thanks in advance www.alexardenti.com

Where would be a good place to buy the Honda generators mentioned. Home Depot? I need to run 10k worth total how many amps would I need? Alex www.alexardenti.com

The cross process one looks pretty cool. How do you think it would have come out with Tungsten lights? I'm shooting a scene thattakes place in a dark warehouse with some over head lights beaming down in the background behind the actors. Alex www.alexardenti.com

That seems to be a thread concerning how to make a film looked aged. I'm talking about the effects that Tony Scott did on Man On Fire and Domino. He says it's mostly cross processed but the variable speed and "jitterness" came from a hand cranked camera. I'd love to see samples of forum members that have shot in a similar fashion. I'm sure Scott has bells and whistles that are out of reach for most indie film-makers. Thanks Alex www.alexardenti.com

Has anyone ever used a hand cranked 16mm camera with great results? I'd love to see footage that someone has shot, especially cross processed. Alex www.alexardenti.com