Colin Kelly

I am interested in purchasing an Angenieux 28-76mm optimo zoom if anyone is looking to sell.

Thank you!

colinjohnkelly@yahoo.com

Does anybody know how and if the AC's pulled focus on the hvx200 on all the hand held shots? From what I have read I don't think there was any kind of mini35 system attached to the camera.

Did they just attach a follow focus and tape out the lens?

thanks for any info.

cjk

Anybody know the cameras used on the show and from what rental house?

Thanks

Could be re-shoots of scene 17 or just an additional shot.

If anybody is looking to get rid of a cinemeter please let me know.

I am very interested.

I took some pictures of my cinebag also if anybody is interested.

How big is it?  What do they retail for?

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The CineBags Production Bag is a fine crafted multi-compartment bag that was designed for the crafts people in the motion picture industry. Made of 600D nylon with reinforced and padded sides, top and bottom.

4 removable pouches

Heavy Duty Buckle NEW

Large shoulder strap

Welded O-Rings NEW

reflective material

reinforced bottom and flap

bottom feet protection

padding on all sides

water proof material

carpeted interior

lightweight construction

large pouch for paperwork

removable interior for cleaning

one year full warranty

4 see through mesh pouches w/ zipper

size: 25"x 13" x 10.5" exterior

size:18"x 11" x 9" interior

I have seen it anywhere from $180.00 to $230.00

http://store.yahoo.com/cinemasupplies/ciprbag.html

Used cinebag for sale. In good condition and used sparingly for one year. Has all original velcro pockets inside.

Might be inclined to throw in a few expendables if you have a specific need.

Located in west LA

S100.00 obo

5218

5248

5217

printed on 2383

http://store.yahoo.com/cinemasupplies/books.html

decent prices for all the books mentioned in this topic.

And if it is still a question the Elkins book is much better than the Hart one, imo.

Does anybody know where I can find information on on the old military fastax cameras that take 100' loads and can run 300fps to 3000fps.

Thanks for any information.

The 2b we have is only quiet in the blimp. OUtside the blimp it sounds like a motor bike engine.

Interesting idea about the 235 though.

Shooting with the BNCR has been interesting. Most of the time it resides on a gear head or a moviola dolly. At first the belt driven mags gave us the most problems. It is a beast. I saw the dailies for the first two days. It looks quite amazing with the super baltar lenses we are using, 1", 2", and 3".

Overall our arri 2b techniscope has been the most demanding. The director and dp can never decide how exactly yo use it. In the blimp, outside the blimp, with the tobin motor, with the arri crystal sync motor, stedicam, handheld. I sit there and wish for a pl mount on it many days.

AC's get spread thin shooting with thest camera, especially using short ends.

A side note to this post. I am 1st ACing on a feature right now with a mitchell BNCR and an Arri 2b w/ blimp. Both are modified for 2-perf techniscope.

The director owns both cameras and is looking to rent them out to other productions after his production ends.

He's located in Burbank.

It has been an adventure so far - day 4 of 19