Ray Friera

Any sample clip shot on H16 using Moeller Anamorphot?

Duall camera online store.

http://www.duallcamera.com/store/index.shtml

Google Guy Maddin a Canadian film maker

Zachariah,

Have you seen Sleep Always?

Here is a link.

David,

There are many fast 16mm fixed lens out there, and all you need is an adapter.

Here is my set up.

David,

The Schneider-Kreuznach Optivaron 1,8 / 6-66 mm is the only lens that don't have vignetting at the short end of the zoom in my experience.

My Beaulieu 4008 ( widen gate ) set up.

More Pictures:

Also selling or trade a Beaulieu 6008 pro, Quarts 24 for crystal speed control with a Angenieux 6-80 T1,2.

Beaulieu ZM II service and gate widen for super duper format by Pro 8mm, no lens.

I have a Cinema Products GSMO package for sale or trade. 2X camera body, 2X magazine and a Angenieux 17.5-70mm T2.5 Zoom lens. Asking $1,000.

Also 16mm lenses Zeiss Vario Sonnar 10-100mm T2 MKI, Zeiss 10-100 T3 Zoom Lens and Angenieux 5.9 T2.

I am looking for 16mm Switar preset lens.

Thanks,

Ray

Do not forget the other CP camera. CP-GSMO 400ft coaxial magazine, crystal motor and built like a tank.

Any used Max8 cameras out there? Or a good candidate for conversion?

 

Email: socket46880 (at) mypacks.net

Vincent,

PM sent.

Hey Ray

I really dug your music vid. The look and color treatment you gave the film was nice. Did you use an anamorphic lens adapter?

Thanks for the "gibbering horror of howard ghormley" love

Thanks for your kind words, Steve. Video was shot using standard super8 zoom lens framed for 1.85:1. Unfortunately the anamorphic lens for super8 format is hard to come by.

Youtube

http://www.youtube.com/watch?v=tZo7IusGkmg...re=channel_page

Vimeo

http://www.vimeo.com/groups/super8/videos/4593544

here is my music video Blip.tv

http://blip.tv/file/529123?filename=Rfriera-LIHIM122.mov

Hey Rafael, I have one removed from my 4008ZM, you are welcomed to it if you are still looking.

Do you work for Pro8mm?

I have no business relations with Pro8mm. I am just pointing out that some of us student cinematographer who use super8mm as a primary format deserve a camera that works and performs the way it was originally designed, if not better. I myself have purchased super8 camera on ebay and by the time I had it serviced to a working condition I have spent just as much as buying it from Pro8mm. I am sure there are other companies out there that sell super8mm camera cheaper. Tell me do you have experience dealing with pro8mm, if so please do tell.

I have done business with Pro8mm in the past and unlike others I only have praise for them. As far as I am concerned Pro8mm helped save and pushed the format to what it is right now, and for that Pro8mm earned my greatest gratitude and respect.

You can always buy your gears on ebay for a lot cheaper, but let me warn you that you are taking a lot of risk and future expenses to have the camera refurbished.

Hey Tony, do you know if the Century lens will work and will cover a max-8 Beaulieu 4008 ? Will it need collimation to work ? Do you have some sample footage you can share with me?

I am selling my Schneider Beaulieu-Optivaron 1:1,8 6-66m (C-Mount) with Beaulieu Reglomatic in perfect working condition.

A rectilinear lens renders straight lines as straight lines, while a fish eye AKA curvilinear lens renders straight lines as curved.

 

 

http://photo.net/learn/fisheye/

Thanks, Leo.

Saw this site with a photo of a video tap on a Beaulieu 4008 ZMll. Can someone do a English translation ?

http://www.cine-super8.net/index.php?ordpp=4&idp=151

I haven't actually used the Century 5.7mm, but I'm pretty sure it's a fish eye.

I had an old century catalog which had clips of 16mm film shot with their wide angles.

 

The Angenieux 5.9mm and the Kinoptik 5.7mm are both rectilinear.

 

But wouldn't a rectilinear be a better match for the zoom than a fish eye, which is curvilinear?

Can you explain to me the a difference between rectilinear and a fish eye lens.

Talk to Ken of Whitehouse Audio Visual.