G. Stephen Bruno

I have been scouring the net for a good reflex c-mount lens for my non-reflex Auricon Cinevoice.

I have only found the series of lenses from Pan-Cinor and a few from Angenieux.

Are these my only choices? Should I just sell this camera?

thanks.

Chayse, I always look forward to seeing your work on here.

As a student, I find it inspiring.

Great colors, great compositions.

I was wondering what the typical process is for finalizing a cut.

I know that most films these days go though a DI and I was wondering if the EDL is still sent for negative cutting and optical effects or is the digital file(s) just printed up?

Also, which is more cost effective?

thanks for your time.

G. Stephen Bruno

Dam.. I was begging every family member, friend and Bank I know for a loan to pick this up.

Oh well, to the victor go the spoils. Very good deal.

Thanks for the link Brian.

I'll definitly have to check this out.

Peace.

I'm really confused here.

Also, I thought that real names or at least a signiture were required?

Hard to believe the pope would have the talent to dolly in and out simutaniously.

Man David, two DVD's and a theatrical release all in the same two week period... crazy stuff.

I definitly will have those two on my netflix list for next mailing. It a shame that Akeela never reached my small podunk area, I would of loved to see a print of it.

I am interested to know just how long it might take some of you guys/gals to SEE a scene cinematographicly.

(I.E How quick do you usualy narrow down your stocks/format/lenses and how quick do you see your light set-ups?)

Also, At what age in your life did you start to SEE light, of course, not literaly :D but rather, artisticly, when did you first start noticing just how beautiful light is?

Thanks guys.

G. Stephen Bruno

Starving Student.