Vedran Rapo

i had a same q when i was looking for good light meter. in the end. i went for Sekonic L558 CINE ... and i didnt regret it a second. superb lightmeter.

what about a post production? you can add that green tone.... why going on only one solution when filming? what if you dont like it after you finish :) ? this way (shot on normal balance) you can do what u want :)

i would say, fontal - main light pup - ? 1/4 cto - same as 3/4 ... it is about a position of the light dedo - short for dedolight (a type of reflector :) ) hope i helped a bit :)

yup i got mine there...

sorry i cant help you, and i know you have no time to explain what is that ... i am student, and have strong will to learn :) so when you have some time.... i would be very thankfull if you could find a little time to explain it :) thx

you are deff. right.... i will do that... :) that is great idea. i will def. get some gels, i was looking some films for the last 2-3 weeks (where there is a camera inside the car) ... a saw a lots of lightas that are moving with the car... but we have no possabiliry of doing that :D thx again for this very useful idea. :)

thx, i have T4 inside, T8-11 outside, no additional light is posibble because i dont have any :( student budget :( also no TK or DI... :( for some other scenes i have 2 2KW an 2 850W reflectors for giving higher level in interiors... thx for the advice i will try with some parallel test to see what suits best ... thx again

meter it like 1/90

damn, :( where were you 2 day ago :) when i orderd mine :( :)

thx for your reply i am going to go with arri and 120m magazines. 50 D and both 200 and 500 T vision films. i will need c.pol. filters ... and need to improvise holders for them, or try to get the same size of lens filters. before i do some tests of film, i need one advice. i have one shot inside the car, difference is exp is abot 3,5 4 stops. will the film get details n the shadow of the car interior if i set exp to outside light situation? :) thx

hello, i am new here, this is my first post. let me introduce myself, i am vedran, student of academy of dramatical arts in Zagreb, Croatia (cinematographer) on the end of this month i have to do one short documentary film on 16 mm i have 2 options (cameras) bollex H, and arri st. with sets of lenses. other bigger Q is about films. i will do it on kodak vision color negative film. i have few (4) ext. scenes and 3 int. (car repairshop) more or less low light scenes. i will take 50D kodak for daylight shots, but what to use in interiors? i can choose from 200T and 500T ... the differens (int - ext) have to be minimum because we do only a safe copy of devepoled film and one positiv copy (editing) any edvices? thx.