Peter Sensor

Asking for a little help here, I know I've done this before ...but,

When playing back the recorded audio track for the singer to lip to,

should I be using a time code slate ? and what should the source be for that time code ?

And I'm shooting with a red cam. Thanks for any suggestions.

Peter.

Yep. I need a couple of sets of weighted rewinds. I have plenty of the unweighted kind, but I need some with weights ... anyone want to sell some?

cheers,

richard

Richard, what do you mean by weighted ? Do you mean Differential Gimmicks ? I have those.

- Peter

Excellent condition Canon H1 with excellent condition P+S Technik Mini 35 adapter.

Chroszeil matte box, etc. On Ebay now - item# 320297138229

Check it out. thanks.

Hi

I just was helping a friend on the set, where he shot on F23 and pro35

and I loved the image.

I have never had any expirience with pro35 before. And want to use it for an upcoming project I'm going to shoot myself. It will be landscapes, and images of cities as well.

 

I wander what is Your expirience with PRO35?

Please share.

 

greetings

 

iga

Iga, I've used it quite a bit on commercials, lifestyle -people stuff. The best thing about it for people is the 35 DoF it gives you.

It does eat up some light, so you should calculate an effective ISO with it on the camera. And it softens the video a bit, which I like for people. I'm not sure if I would bother with it for a shoot of landscapes and cityscapes, because you will probably be using wide lenses

and shallow DoF is not something you're after. maybe.

- Peter.

Super 16 coverage is 25/30-100, so it covers s16 in the long end of its range.

 

Mk1 has 80mm front, mk2 has 87mm front.

-Alain

Alain, That's my lens that is up on ebay -well not now - but it is still up for sale. I saw one go recently on ebay for 4100. If you're still looking - make an offer. thanks, Peter. sensor01@comcast.net

So, the BBC, because of they're chosen compression, would not be able to televise ...oh say....

one of the biggest money making, beautifully shot documentary shows...all originated Aaton XTR S16...

like... "March of the Penguins" ?

If you shoot outdoor don´t forget about Pola filter, you archieve more saturated colors (sky) and less reflections. Go to a very wide iris to get shallow deep fied. study your background colors with lot of primary colors.

Lav, I agree with David Mullen,ASC and Andres Victorero. But with all this talk of contrast, no one has mentioned negative fill - I would have on hand a good amount of black cloth and try to backlight with the sun as much as possible. Also, on S16, I would suggest a very lite stop and a longer prime lens / the prime, in my opinion will have a better "Bokeh" (out of focus quality) than a zoom. The 250 stock and a good colorist should get you the saturation - best of luck.

I HAVE USED THE P+S TECHNIK MINI 35 WITH A CANON H1 W/ CANON STILL PRIMES AND HAVE HAD EXCELLENT RESULTS. YOU CAN SEE THE FOOTAGE AT - www.bellproductionservices.com/demo and click on "Digital Cinema" For more info on P+S contact Chris @ ZGC.com. for more info on alternative lensing -

try RPLENS.COM - best of luck.

Zeiss 10-100mm T2 zoom, PL Mount, Personal gear, very clean.

Perfect for upgrade to Super16. Priced for quick sale USD $ 3,200.

Looking to purchase a Zeiss 10-100/2 mkI zoom.

 

-Alain

Alain, I have a nice Zeiss 10-100mm T2 lens for sale. I am the second owner, it has always been a personal lens and it is very clean. It has a PL mount w/ Arri B underneath. I'm pricing for a quick sale - USD $3200.00