Shehnad Jalal

1-1/2 to 2 stops sounds right, but also, keep in mind that I believe it depends on the orientatio of the polarizer.

 

In other words, it is shot-specific, not a set factor.

 

 

Without an in-camera meter (do these even exist on any pro MP cameras?) you'd actually need to meter through a polarizer oriented comparably, I think.

even if the exposure compensation depends on the orientation of the polarizer, it will still be in between 1 1/2 to 2 stops right?

The B&W stock isn't B&W it's an old color stock (but I can't remember wich one) printed on blackandwhite.

F.

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theres this diary of christopher doyle in PROJECTIONS ....about the shooting experience of HAPPY TOGETHER, not much of technical details, but very interesting. dont remember the issue no.