Antoine Mocquet

Well done, Antoine. I think the heavy pull was a fine choice. The colors and contrast seem exactly right for what you set out to achieve. Do you have any exterior stills? I would love to see what those look like.

Sorry I don't have any exterior stills. We shot some scenes in exterior but we did'nt keep it in the movie.

One year later....

We've finally chosen a pull-process at 2 stops, to obtain rich blacks and a contrast of soft and "hard" whites.

We've shot with Fuji 8573 500T

No filters

Pictures extracted from D.I

I'm actually in preproduction of a short movie shot in 35mm.

It relates the life and death of a chinese painter.

For this film, I'ld like this visual style:

extracts from Te Wei's Feelings of Mountains and Waters

Which film, filters and/or film process would you use to obtain this kind of desaturates colors and hightlights in the same picture?

I'm looking for examples in anothers "reals" movies, if somebody has already seen or made this kind of pictures, please let me know....

Thanks