Billy Summers

The TV Logic is a very good choice.

The Panasonic's are also favored in the industry and very robust.

You could try it, but it seems to me it's pretty slow to "spring back" to normal position. If it compresses and doesn't spring back before the next shock, there's nothing to absorb the energy of the shock. Foam comes in lots of different densities, so you could experiment with different densities and thicknesses for the application you need.

Perhaps a combination of memory foam and "standard foam" is the answer...

You can even get it for less, if you use a nightime colorist. B)

you cant! super 8 is not an excepted format, must film on 16mm 35mm 70mm

 

oh well! who cares!

unless you transfer to 16, 35 or (gulp) 70mm.

:huh:

www.reduser.net

;)

If your crew is experienced, it is "possible", I guess.

But is the 4-5 man crew includes sound dept. as well?

I mean,

2 people on camera: DP/Operator and 1stAC/Focus Puller

2 people in Lighting: Gaffer and Grip

1 (2 would be alot better) person running sound and boom opping?

Sounds pretty gnarly, don't you think you could get a few more people if you really tried?

1stAD is of Monumental importance! (Script Super too...but)

No, there is not such a feature, but you can adjust the chroma level slightly.

<{POST_SNAPBACK}>

Shoot for contrast, if possible, use a monitor and turn down the chroma.

Then you De-Saturate in Post (drop the chroma)