Jump to content

PETER KREKLOW

Basic Member
 View Profile  See their activity

  • Posts

    35

  • Joined

  • Last visited

 Content Type 

Posts posted by PETER KREKLOW

    ARRI SUN 575 Par HMI Package

    in Cine Marketplace

    Posted · Edited by PETER KREKLOW

    Arri Sun 575 Par Plus HMI Package


    This Sale Includes:
    1 - ARRISUN 575 watt head.

    1 - ARRI flicker-free electronic ballast with Edison plug

    1 - 50' header cable

    1 - 5 piece lens set with case

    1 - 3 piece scrim set with bag

    1 - Barn doors

    1 - Used Globe

    All in very good used working condition

     

    Contact

    Peter

    760 809-7035

    grip@cox.net

    Credit Cards Welcome

    ARRI SUN 1200 Par Plus Package

    in Cine Marketplace

    Posted

    Arri Sun 1200 Par Plus HMI Package


    This Sale Includes:
    1 - ARRISUN 1200 watt head.

    1 - ARRI flicker-free electronic ballast with Edison plug

    1 - 50' header cable

    1 - 5 piece lens set with case

    1 - 3 piece scrim set with bag

    1 - Barn doors

    1 - Used Globe

    All in very good used working condition

     

    Contact

    Peter

    760 809-7035

    grip@cox.net

    Credit Cards Welcome

    Slider 4' Micro Linear Bearing Track

    in Cine Marketplace

    Posted

    The MANSKE Micro Linear Bearing Track is the "Slider" of choice for cinematographers that demand precision camera movement. What makes it different than all the others? It was designed and built by EMMY award winning D.P. Gary C. Manske. Having spent over twenty years as a commercial cinematographer specializing in tabletop and macro efx work, he developed the track for “real world” precision cinematography. The main design elements are based on ultra smooth movement, low profile and versatility.

    Ultra smooth movement is the primary objective in the design. Precision cinematography requires vibration free movement, and is essential when using macro or extreme telephoto lenses. The main carriage is built upon four specialized pillow blocks each containing over 100 stainless steel ball bearings. The track they travel on is 1060 steel shafts that are hard chromed and center ground to within .0005 of an inch. This provides a traveling surface that is super smooth.

    Low profile is the second objective in the design. Unlike the other sliders, this track was designed to be very low profile. Both the track base and the carriage are designed so the lens can get as close to the surface as possible. The mantra of tabletop cinematography is “low and wide” and the design of this track was to make it several inches thinner than all the others. This gets the lens lower for more dramatic shots. The low profile of the track also makes it easier to get a camera into tight interiors like cars by effectively increasing the headroom.

    Versatility is the third objective in the design. The 48 inch track length is optimal for most applications. It can be easily used on stage, locations, cars, boats and any other space that a camera move is important with a minimal footprint. It can be mounted onto any dolly, tripod or hi hat with a Mitchell mount, and the track incorporates the Cardellini Head Lock for super quick attachment. The carriage will accept any type of head with a 3/8” tie down including fluid, ball or tilt plate. The track also has two threaded holes for baby pins on each end. These can be used in conjunction with stands to increase stabilization or specialized rigging requirements. It can be used in any position including horizontal, perpendicular, under-slung and vertical. The base rotates 360° and locks in any position, and the carriage has a double brake system for security.

    The MANSKE Micro Linear Bearing Track is a precision tool that can use any film, video or HDSLR cameras and will expand the visual opportunities on any shoot.

     

    Used, in very excellent condition

     

    Includes custom ATA Case

     

    Tripod not included

     

    Many more photos on request

     

    $4,950.00

     

    Contact

    Peter 2 grip@cox.net 760 809-7035

    post-34561-0-68884300-1410377790_thumb.jpg

    Cinemills 12K HMI SilverBullet Fersnel

    in Cine Marketplace

    Posted

    Cinemills 12K HMI Silver Bullet Fresnel

    w/12 K Magnetic Ballast 240V 60Hz

    2- 50' Head Feeders

    2- Full Doubles

    1- Full Single

    1- Half Double

    1-Half Single

    Scrim Bag

    Globe Box

    2 Osram 12K Double Ended Globes (Used)

     

    All in very good working condition

    $3,950.00

    Pick up in San Diego, good deliver to the LA area

     

    Peter 760 809-7035

    grip@cox.net

    post-34561-0-62744300-1402784126_thumb.png

    • Upvote 1

    Photo Flash

    in Lighting for Film & Video

    Posted

    Look into the 8k Paparazzi Flash manufactured by Luminys Systems Corp (manufacturers of Softsun and Lightning Strikes lumnaries.} They are designed to simulate the barrage effect of paparazzi photographers, or for close-up tight shots where a controlled high-intensity flash is required. Single, quad, and eight-unit controllers are available. Light output is 8,000w Color temperature is 5600 Kelvin. Electrical power Connection is via 60Amp bates. The manufacturer's website is http://www.luminyscorp.com/products/lightning-strikes/parabolic.html. On the East Coast they are available from Available Light in NYC (http://www.alny.net/products.php?g=3&id=2.)

     

    Guy Holt, Gaffer, Owner/Operator of ScreenLight & Grip. Lighting and Grip equipment sales and rental in Boston

     

    Thanks Guy,

    I thought there would be something like that already on the market. Once again Guy, your a very good resource.

     

    Enjoy the day.

    Peter

    Photo Flash

    in Lighting for Film & Video

    Posted

    I need a reliable way capture photo flashes while using an Alexa. Electronic flashes are to short to capture and single use flash bulbs which have a long burn rate are impractical.

    Looking for a electronic flash with a long duration 30th of a second or so?

    This is for a practical purpose. Not through electronically syncing the flash to the shutter or making it in post.

    Any Ideas?

    Camera Dolly

    in Cine Marketplace

    Posted

    Premiere Phantom Hydraulic Crab Dolly

     

    For sale for $19,950.00

     

    The PHANTOM has rugged construction and compact design that makes it suitable for both location and studio use. The Phantom incorporates a hydraulic accumulator system for smooth and quiet boom movement, up and down, with five full lifts per charge. Electric charging takes less than 1 minute. The boom has straight vertical movement with a capacity to lift 300 pounds at the head. The Phantom has two steering modes, rear wheel steer and all wheel crab, with infinite crab rotation. Using the skateboard wheels, the Phantom will run on standard straight and curved round dolly track. The Phantom has a unitized welded body giving it maximum strength and durability.

     

     

    Length: 45″

    Width: 26″

    Steering Post Height: 35″

    Weight: 420 lbs.

    Vertical Boom Travel: 35″

    Low Lens Height: 27″

    High Lens Height: (without Risers) 65″

    Boom Lifts per charge: 5

    Maximum Boom Capacity: (at head) 300 lbs

     

    Includes:

    2 Seats

    1 Small Side Board

    2 Large Side Board

    1 Camera Riser 6”

    1 Camera Riser 12”

    1 Low Arm Adapter

    1 30” Camera Offset

    1 Willy’s 9” Rotating Offset

    1 Lift Bar

     

    All in very good used condition

    Located in San Diego, CA

    Will ship using your freight company

    Would anyone use something like this?

    in Lighting for Film & Video

    Posted

    I recently gaffed a film with lots of candle and fire light scenes, which gave me this idea... So I built this device that flickers a light in sync with an actual flame, be it candle or fire... (it is currently set up to handle up to 1.5k but could easily be modified for higher wattages) The sensor, which reads the light levels, is currently attached to a length of speaker wire and is very small (easy to hide in a scene) I guess i'm wondering if anyone would actually use something like this or if people are happy enough with current methods.

     

    Here is a lousy video example I filmed with my droid.

     

    http://www.youtube.com/watch?v=Ihoepxi2iCo

     

    and here is an example in use...

     

    http://www.youtube.com/watch?v=9ruHodNoMYo

     

    there are dimmers to control high point and low point, as well as two knobs to control the sensitivity of the sensor

    I would by one if it's well made and reliable. E-mail me when you have one available grip@cox.net

    Would anyone use something like this?

    in Lighting for Film & Video

    Posted

    I recently gaffed a film with lots of candle and fire light scenes, which gave me this idea... So I built this device that flickers a light in sync with an actual flame, be it candle or fire... (it is currently set up to handle up to 1.5k but could easily be modified for higher wattages) The sensor, which reads the light levels, is currently attached to a length of speaker wire and is very small (easy to hide in a scene) I guess i'm wondering if anyone would actually use something like this or if people are happy enough with current methods.

     

    Here is a lousy video example I filmed with my droid.

     

    http://www.youtube.com/watch?v=Ihoepxi2iCo

     

    and here is an example in use...

     

    http://www.youtube.com/watch?v=9ruHodNoMYo

     

    there are dimmers to control high point and low point, as well as two knobs to control the sensitivity of the sensor

    KOMET 12 KIT High powered LED

    in Cine Marketplace

    Posted

    For Sale $4,500.

     

    KOMET 12 KIT

    Highest power-to-light ratio

    11,000 lumen

    Uses 6' HMI Par Lenses Included

    65,000 Kelvin

    Uses less then 2.5 amps

    No projected heat

    Daylight balanced

    25,000 LED life

    Fully submersible to 100'

    Durable machined aluminum

    100-240 VAC, 50/60 Hz Power Supply

    with 3 way dimmer

    25' Head Cable

     

    Film and video professionals designed the KOMET 12 with features they knew industry pros would appreciate. From the initial CAD designs all the way through production, they set their goals on building a high-powered, energy efficient, nearly indestructible LED fixture. They insisted that the KOMET 12 needed to work with standard lenses and light banks for complete beam control. They designed it to emit zero heat from the beam and very low heat from the fixture for fast breakdown and wrap to keep shoots moving. Using less then 2.5 amps while producing more light then a 1K tungsten or JOKER HMI . And finally, they made it completely submersible, able to withstand all types of weather conditions. List price $5,900.00

     

     

    Check out www.KOMETLED.com for full details, also U-Tube under KOMET 12

     

    The KOMET 12 kit for sale here is slightly used in perfect operating condition. There is slight staining from chemicals that were in the Koi pond while the KOMET 12 was submerged on FOX'S sound stage for the DOLLHOUSE TV series..

     

    KOMET 12 KIT

    Includes

    KOMET 12 fixture

    w/25' Head cable

    International power supply

    4-way Barn doors

    Frosted Fresnel lens

    Super Wide lens

    Wide lens

    Medium Flood lens

    Custom ATA case

     

    Contact me at grip@cox.net

×
×
  • Create New...