jamie l fowlds

Thanks very much.

yes shot some tests on Reala and Eterna also Kodak 5219 v3 and 5205 250d v2 Kodak is what this script seems to lean to, The film now is 20% 1989 and the rest 1997. were can I get Freedom at Midnight? we are shooting October to December in Srinigar jan in Ukraine.

We have wrapped the Movie 'Lamhaa' all was a huge challenge, we had to match: kashmir fall, with Manali winter, with Mumbai summer.. then back to kashmir mid winter. 65 day shoot 3 days off.

I shot the Movie on Fuji 250T eterna, 500T eterna, 160T vivid

cameras Arricam LT, 435 extreme, 235

Arri/Zeiss Ultra prime primes

Ang optimo 12-1 & 5-1

3 perf super 35mm

the edit is half way through

we start our 2 k Di in march will keep you posted

A match up nightmare!!!!

Cheers

jamie

There have been a lot of good Indian films made on the topic of Kashmir like "Roja" and "Yahaan" amongst the more recent ones. There are lots of films shot before the 80's which is when the situation actually started to detoriate.

 

I would also suggest reading "Freedom at Midnight" to get a historical perspective.

 

I could send you a list of films for ref if you think that would help. Best of luck with the project.

Thanks very much.

yes shot some tests on Reala and Eterna also Kodak 5219 v3 and 5205 250d v2 Kodak is what this script seems to lean to, The film now is 20% 1989 and the rest 1997. were can I get Freedom at Midnight? we are shooting October to December in Srinigar jan in Ukraine.

Hi Jamie,

 

What is your question?

sorry to have put up such a vague thread, Looking for suggestions on approach to an unknown subject and substance, great script just opening up to fellow lensmen to bring in some ideas.

Ok?

Tony Richardson was a British Director !!.

oops sorry !! Robert Richardson ASC

Darius Khondji

laszlo Kovacs

Raoul Coutard

Jack cardiff

Subrata Mitra

So Many great lensmen and women how can I have just 5

Noski Deville is one of our greats, yet to step into the lime light (watch this space)

phedon papamicheal

geoffry unsworth

Christopher Doyle

Freddy Young

Tony Richardson

Hi I am in prep to shoot a super 35mm India Feature based around a suicide bombing event in kashmir northern India, The event and build up are set in 1989. kashmir has a very sombre feeling about it these days its ripped and burnt, and barely holding onto its almost magical beauty of the pre troubles.

the people of kashmir are now almost part of the land, colours of sand and sackcloth camel, browns, dirty faded blood reds, muted greens occasionally bursting into bright greens with clear skies, the fall there is very north american in feel, the atmos there is like a clouded misty almost pipe smoke aura.. with old dried blood reds. any suggestions

Season:

October to jan 2008/09

Autumn/Winter

Directors Ideas on Style ref:

Bourne Ultimatum

Rendition

(not convinced yet)

Doco reala style

steadicam/HH mix

mostly ground based shooting little air work

camera: 4p super 35

Arricam LT

Arri 435

Arri 235

Glass:

Cooke S4, Ang optimo 12x and 5X

Cooke cinetal zoom's

Stock:

Fuji Reala, Kodak V3 5219

4k DI

Hi I am in prep to shoot a super 35mm India Feature based around a suicide bombing event in kashmir northern India, The event and build up are set in 1989. kashmir has a very sombre feeling about it these days its ripped and burnt, and barely holding onto its almost magical beauty of the pre troubles.

the people of kashmir are now almost part of the land, colours of sand and sackcloth camel, browns, dirty faded blood reds, muted greens occasionally bursting into bright greens with clear skies, the fall there is very north american in feel, the atmos there is like a clouded misty almost pipe smoke aura.. with old dried blood reds. any suggestions

Directors Ideas on Style ref:

Bourne Ultimatum

Rendition

(not convinced yet)

Doco reala style

steadicam/HH mix

mostly ground based shooting little air work

PS really sorry I think I posted this into wrong forum/page please advise

camera package:

Arricam Lite

Arri 435

Cooke S4i

Angenioux optimo 12x and W/a Zooms

Thinking of Fuji reala / contrasted with Kodak V3 19

4k di