Michael Martinez

2tb of storage is not enough if you want to work uncompressed. I am recieving about 40- 50gb a day of 1080p pro res on a feature that i'm working on. roughly an hour of footage a day. Facotr in an uncompressed conform and you can see how you will need more. why dont you put 4tb in your mac?

Yes, you right i bought 8 hard drives.

thanks for reply.

have you experienced the crimson workflow?? fcp-crimsoon-redcine??

Exactly Gunleik...

thats exactly what im trying to do.

i know this network tv is 4:2:2 and that 444 is overkill my self,

but i want to handle it uncompress all the time, until delivery.

im getting the CalDigit Raid Card that cost me $520

this card is one of the best in the market, plus 4 hard drives

of 500gb each. i have a Mac Pro 2x 2.8Ghz Quad core intel Xeon

and 6 GB of memory 800mhz DDR2.

I think this set up will help me to work with Redcine-Final Cut-Crimson. if somebody have any advice please let me know...

Thanks!

MMR.

Hi, Use Coke then..

Thanks guys,

THE FINAL DELIVERY IS FOR BROADCAST IN HBO, BUT BEFORE THE FINAL I WANT

TO HANDLE THE FOOTAGE ALL THE TIME UNCOMPRESS, FOR EDITING AND COLOR GRADING WITH RED CINE.

SORRY IF I LOOK CONFUSE, BUT I HEARD FROM A FRIEND THAT I SHOULD USE CINEFORM BECAUSE IS BETTER THAN CRIMSON. I DONT KNOW IF ITS TRUE OR NOT BUT I WOULD LIKE TO KNOW THE DIFFERENCE, ANY ONE KNOWS THE DIFFERENCE?? PLEASE...

THANKS!!

MMR.

THANKS GUYS FOR REPLY,

IF I USE TIFF OR DPX I WILL NEED A LOT OF STORAGE

AND A SPECIAL SET UP OF POST-PRODUCTION.

IM TRYING TO DO IT MAXIMUN QUALITY AT A LOW BUDGET.

ANY TIPS BESIDES TIFF OR DPX???

THANKS!!!

MMR.

Hello,

I really like the Crimson Workflow but the quality is an issue for me.

I dont like the Cineform Workflow but the quality is great i can work

with 4k 3k if i want.

Crimson quality is 4:2:2

Cineform quality 4:4:4

Please if somebody knows that i can handle Crimson at 4:4:4

please correct me and let me know. Or if somebody knows

that i can use Cineform with out going to PC and with out

the color correction in After Effects please let me know.

Im using a MAC platform: FCP-Redcine Redcine FCP.

I WANT TO EDIT IN FCP AND COLOR GRADING IN REDCINE IN RAW QUALITY!!!!

THANKS FOR ANY REPLY OR ADVICE IN ADVANCE.

Just found this for you.... on the v-20

 

Because its a fish eye.. most agree that its hard to tell how it flies... but they suggested the guy needs to play with the way he sets up the camera more...

 

http://www.vimeo.com/1627231

Thanks a lot for the link, do you have any other link.

Thank you very much again...

Someone over on the Steadicam Operators Association and maybe the Steadicam Forum just posted a Glidecam something for sale in the last few days.

 

The model / price will likely dictate the size camera you can fly and maybe some level of adjustment so you can't really judge based on price always but I don't know the Glidecam system / products.

 

If you've got $10k to spend you really ought to look at used Steadicam / PRO brand, at that price it might be older BUT it will hold it's value very well.

 

Also, check out the new Flyer and Flyer Arm; I think they have about a 19 lb payload rating.

 

Good luck!

Thank you very much!!!!!

THANKS TO ALL...

Thanks for your response...

MMR,

Hi, all

im planning in buying a camera stabilizer system.

can anyone tell me wich one should i go for?

the V25 is $10,000 dollars and V20 is $4,300 :o

Is really worth it the extra money?

Thanks..

MMR.

Right Stephen but look, im just saying that...

RED camera is giving us the opportunity to do low budget films with a great picture quality,

and is making the filmmaker's life easier and better, now with this type of camera we can do Hi-end films

and we can save some money to increment production or production value, don't you think?

as a filmmakers should be worry about writing or looking for new fresh good stories in order to get

films done...

As i said, is just my point of view...you have a right to your opinion......even if it's wrong. :P

Thanks for answer back! :D

The director of iRobot shot Knowing with the RED ONE,

now...

For months, industry watchers wondered if the company was for real. Today, there's no question. The Red One is being used on at least 40 features. Steven Soderbergh, the Oscar-winning director, borrowed two prototypes to shoot his Che Guevara biopics, which premiered at the Cannes Film Festival in May, and later purchased three for his film The Informant. Peter Jackson, the Lord of the Rings himself, bought four. Director Doug Liman used a Red on Jumper. Peter Hyams used one on his upcoming Beyond a Reasonable Doubt. Digital cinema that's all but indistinguishable from film is finally coming to a theater near you.

oohh.. come on guys filmmakers do films films films... not talk talk, bull shhh.....

-shot with the RED Camera 100% a big tv series SAM coming soon...

-shot with the RED Camera 100% a high budget feature film FACTS 29 coming soon...

hello guys,

go to apple trailers and watch the KNOWING trailer

35mm or Digital... can you tell me please what you think??

http://www.apple.com/trailers/independent/...iler_large.html