Ben Marshall

Shot with a Sony VENICE in 17:9 6k

https://cinematography.net/NFA/NFA-Compilation.html

According to the CVP lens coverage tool the mk3 super16mm superspeed covers super35. https://cvp.com/tools/cameralens

Looking at http://cinematechnic.com/optics/zeiss_super_speed_f1-2_lenses_pt2/  :

'[The 50mm f1.2 Planar super16 mk2] is an incredibly sharp lens and actually covers 35mm (academy) but is soft in the corners. Because of the position of the rear element, the 50mm for 16mm format should never be fitted to a 35mm reflex camera, due to the risk of damage to the mirror shutter."

Hey,

There is/ was a known issue with the FX9 electronic ND when it interacts with some Polarisers: https://cml.news/g/cml-general/topic/fx9_and_polarisers/74423120

Does the level of ghosting change when the polariser is rotated? Have you had the opportunity to try different brands of Polarisers?

Richard Bradbury's Motion Picture Lens Database is always a good go to:

https://docs.google.com/spreadsheets/u/0/d/1U5Dzl4ziFl4SWQyamBj8Z57RIDYsSy4jD5E4CYTENjo/pub?hl=en_GB&hl=en_GB&hl=en_GB&output=html#

If the camera is available again, then I am still interested (and interested to split off the easy look system).