Isaac Eastgate

considering selling my only Ultra 16, a 14mm, scale in feet. Near mint condition with box and paperwork. I'm based in the UK

Isaac

On 3/4/2021 at 12:46 AM, Matthias Fleischer said:

bump

 

Really just bumped your own question about a tripod head from almost 5 years ago ?

On 3/1/2021 at 1:19 PM, Attila Somos said:

Hi Peter

 

Do you still have the Canon zoom for sale?

attila@filmgears.co.uk

But you already have one Attila ?

FS: accessory cables for Arri, Preston, transvideo

Used cables, 35GBP each and deals on multiple. VAT in UK.

Alexa 8-pin male to 4-pin XLR male, 60cm

Arri RS 3pin male to RS 3pin male, 70cm

Arri RS 3pin to 4-pin XLR male, coiled 30cm

4-pin XLR female to LEMO 2 (for powering preston or transvideo equipment from an XLR supply), 1m straight or 30cm coiled

steadimags sold! xx

8-64 sold!

435 mag pending.

Rest still available

There was a 235 for sale on ebay with no mags or batteries a month ago. Not sure if it sold. The seller was called gido90.

Film camera prices crashed to their lowest around 2015 because everyone thought it was obsolete technology. It was so little used (especially print stocks which used to be the projection media) that fuji folded its motion picture manufacturing, and all the labs began to close, and without labs cameras become paperweights, and their prices reflected that. As digital cinema became dominant people started to realise that it wasn't an entirely superior technology, just an alternative one with both advantages and disadvantages. New companies salvaged lab equipment, kodak signed deals to stave of bankruptcy, and demand for film cameras is highest in a decade.

SOLD

Stunning glass throughout. One owner from new. Late model, late serial number grey body with original PL mount.

This lens was off the charts on optical support’s brand new projector, it outresolves the LPM measures, is bang on centre and tracks perfectly, mechanics feel ideal.

Front and rear caps included.

Asking 3500gbp, plus vat in the EU!

Message me for more photos and details. All offers considered.

Looks like this is from last year people, but i have one for sale if anybody is interested. Excellent condition and calibrated.

DM me your email for pics price and info.

Hi, need to sell some stuff rapido, please send me your e-mail address for images and prices. It will all be market value, no bargains here soz. Additional VAT in europe.

-Canon 8-64 PL mount. Single owner from new, late serial number (grey body), optics mint, mechanics great, normal wear to gears but overall good, professionally checked on a projector and appraised as perfect and off-the-charts sharp this month. (Not the same zoom i was selling last month btw)

-Aaton Cha-3 NIMH charger (used)

-Arriflex 435 400ft magazine x1 (used)

-Arriflex 35-3 400ft magazines x2 (good)

-Arriflex 2c 200ft mag x1 (used)

-Arriflex 235 400ft dolphin mag x1 (v good)

-Arriflex 235 200ft dolphin mag x2 (excellent)

-Arriflex 235 400ft steadi mag x 1 (excellent)

-Arricam power baseplate w/rods, dovetail (provides 2 extra RS outputs) x1 (excellent)

-Arri RS (3-pin fischer) cable 60cm

On 7/14/2020 at 3:28 PM, Evan Samaras said:

Hi, I’m looking for a PL mount Canon 8-64mm for my S16 setup. My budget is Around $3k based on recent sale prices that I’ve seen. Price adjustable based on condition and other details. 
 

I am based in NYC but will be driving down the Pacific Coast (San Francisco to San Diego) the last two weeks of August. 
 

I can do Pick up in either, or will consider shipping. Please PM me. 
 

Thank you. 
 

 

Hi Evan, i can sell you a late model canon 8-64 which is perfectly calibrated, with a newly reinforced PL mount. I am available at

isaac.eastgate

AT

gmail.com

On 7/27/2020 at 5:29 PM, Peter Hammer said:

Hello, 

I'm looking for a Canon 8-64mm t2.4 OR 7-64mm t2.6 OR 6.6-66mm t2.7. 

I'm based in Copenhagen, Denmark. For tax and shipping concerns a lens currently inside the EU would be preferable - but I could pay for shipping from overseas if the price is right. 

Let me know what you've got! 

Best,

Peter Hammer
Documentary filmmaker

Hi Peter, i can sell you a late model canon 8-64 which is perfectly calibrated, with a newly reinforced PL mount. I am available at

isaac.eastgate

AT

gmail.com

Arri follow focus gears but especially long gears, compatible with MFF and FF5 please

0.8 mod

Offering 50 GBP each

Thanks

Isaac

Low mode gear sold, prices redacted, please enquire for new prices.

Quick clear out!

Arricam Power Baseplate (APB), with dovetail and 19mm rods - Excellent - 450 GBP (can split)

Medium arri dovetail - Used - 150 GBP

Arricam low mode bracket - Good - 300 GBP

Arricam low mode rod support - Good - 200 GBP

Arri BP-9 (15mm studio layout) - Used - 100 GBP

Arri 435 Magazine - Used - 100 GBP

Located in England, post worldwide, deals on multiples

Thanks!

List below. Very complete, very good condition. Available worldwide, viewable in London. 35k USD asking, inc delivery but not applicable taxes.

ARRICAM LT Kit list

• Arricam LT 4-Perf K1540030 2276
• PAL Integrated Video Assist K2540390 2004
• Frame Glow Mask Unit K2540370 2280
• Optical View finder Anamorphic
• Optical View finder Spherical
• Optical Viewfinder Eyepieces
• 100% video top
• Low mode bracket and low mode rod compact support (for steadicam)
• Heated eyepiece
• Folding Top Handle with bracket
• Centre Top Handle
• 4 Perf Groundglass, Gate and Movement installed
• Magazine Gate Cover
• PL Port Cap
• Tape Hook
• Power Bridge Plate (with RS sockets) K2 540110 6409
• BP9 Bridge Plate K7 470090
• 2x 19mm bar 44cm
• Shoulder Pad V2
• Frame Glow Mask Cover
• Viewfinder bottom cover
• Viewfinder camera port cover
• Camera Body right Cover
• Studio View finder Extension Tube / ANA
• Viewfinder extension Tube port cab rear and front
• 3x 400ft SteadiMag (2612-2611-2614)
• 3X 400ft ShoulderMag (2551-2498-2300)
• 2-way steel mag case, Arri
• 3-way steel mag case, Arri
• Steel body case, Arri
• ST to LT Mag Adaptor
• Right Handgrip RS
• XLR Power Cable
• Viewfinder Port Cap Rear and Front
• Arricam LT User Guide Book
• Work Light
• 1 soft Pouch

3 Perf Box

• 3 Perf Motor
• HDTV Movement
• 1.85 Groundglass
• 1.85 Insert mask
• 2 x Belt
• 2 x Sprocket Wheels
• 2 x Wheels

Come to me direct on isaac DOT eastgate AT gmail DOT com please, i havent been checking the forum that often

Early days but feelers out on this. Theres a chance i wont sell if a rental house here can do consignment with good prospects. But otherwise time to move on.

Full kit, PAL. Includes basically everything for a full rental suite but no 2-perf movement, ST mags, or side modules (timing shift box, lens data system, etc). Its kind of a pure LT kit with none of the compatible ST-oriented accessories. The shoulder pad is version 2 for steadimag use, rather than shoulder mag use.

Most parts are either very good or near mint condition. Body looks low miles. There are a fair few parts with heavy use though, including one of the viewfinders and the old school work light.

Looking for 35k with worldwide delivery possible, and due to rental commitments 3 weeks notice may be required before delivery, TBD.

Hi Chris, the viewfinder shown in your picture is not the universal viewfinder. Still good price though.

Are you willing to split any of the accessories?

Thanks for the heated eyepiece, good seller!

59 minutes ago, Jon O'Brien said:

When you say strong video tap, would an Arri 35-III with video tap viewfinder be adaptable to a modern production crew provided the video camera was state of the art (it's a noisy MOS camera, I know, so no good for sync sound)?

Not if they can get a 435, which they can

49 minutes ago, Jon O'Brien said:

Good to know. I like this camera as it is small, comparatively light, yet quiet. And well, can one admit it? It looks so professional!

The only cameras going up in value are production cameras, i.e. stuff used on feature films currently. Obsolete cameras will probably stay where they are. Without a strong video tap theres a limit to how useful they are.

21 hours ago, Chris Burke said:

What happened to all the cameras?

the rental houses got bored of having them lie around, they all went to private owners, and now film is hot again and the rental houses are trying to buy them back... along with everyone else.

Everything Charles says is on par.

 

I understand the allure of the 416, it is the "last" super 16mm camera to be made. However, film cameras are film cameras. If you have a well working one, the only things that matter are; glass/size/weight/sound level.

I dont disagree with you, but again you should probably point out that you own a fleet of Aaton cameras before offering your 'impartial' opinion...

For me, i'd take an aaton too. But the 416s have the value they do because they're more appropriate for feature films, take standard 24v everything and put out standard 24v RS, work with a fleet of arri accessories and are still supported by munich. The people paying 30-60k for 416s aren't stupid. They just have the means and accept no substitutes.