Francesco Andreoli

Thanks a lot!

Everything is very clear now.

Hi everybody,

I have a big doubt about White balance.

I know how it works with the tungsten light, fluorescent or HMI but my question is:

what WB I have to setting in camera if I have colored light (with gels) as key light?

what is the best setting to maintain a good skin tones?

For example, in the picture below..

(lighting with kinoflo + pink gel)

Thank you so much for your help

New link!

Hi guys,

I'm Francesco from Italy and I just uploaded my Reel with many works realised in 2016.

They are frames taken by commercial, short movie, videoclip, video art and documentary. I'd like to have your feedback or a simple opinion on these works.

Thanks a lot everybody

here's the link (obviously watch in HD) ;)

https://youtu.be/NP-DBJvqa00

Thank you so much Satsuki,

your answer is very professional and complete; now I have less doubt on how to light these shot and will test your advices.

Hi everybody,

sorry for my bad english but I'm italian guy, I hope you understand.

I have some questions on these two reference

I have an my idea but I would to be sure and I ask for your experience.

Frame 01

What kind and how many lights should I use for this shot?

How I can do that "cyan effect" on background?

What is the best white balance setting in camera?

Frame 02

How many lights should I use for this shot?

In your opinion, there is a "real flare" or it is made in post-production?

Thanks a lot

F.

Hi Mon,

for smaller works I reccomend you Cinenane (cinenane.com) or AMG (amginternational.it)

Have a good job

F.